LITTLE SATCHMO<\/p>\n
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Para o mundo, Louis Armstrong \u00e9 um \u00edcone, um s\u00edmbolo de genialidade musical, sucesso \u00edmpar e car\u00e1cter inatac\u00e1vel. Para Sharon, era apenas o Pap\u00e1. A imagem \u00edntegra e divertida de Armstrong preservou a sua carreira singular como artista negro com acesso livre ao mundo dos brancos. Por\u00e9m, ele era mais do que uma caricatura: tinha desejos, anseios e, em privado, afei\u00e7oava-se \u00e0quilo que amava. Talvez um dos principais alvos desse afecto fosse a crian\u00e7a que ele escondeu do mundo: uma filha votada a uma vida de sigilo, at\u00e9 agora.<\/p>\n
To the world, Louis Armstrong is iconic \u2014 a symbol of musical genius, unparalleled success, and unassailable character. To Sharon, he was simply Dad. Armstrong\u2019s wholesome, non-threatening image preserved his singular career as a black performer with unfettered access to a white man’s world. Yet he was more than a caricature; he had desires, he had longings, and in private, he held tightly to the things he loved. Perhaps closest to his heart was a child whom he hid from the world: a daughter sworn to a life of secrecy until now.<\/p>\n
https:\/\/clit.online\/2022\/wp-content\/uploads\/2022\/04\/little_satchmo_trailer-Original.mp4<\/p>\n
REALIZADOR \/<\/p>\n
DIRECTOR<\/p>\n
:<\/p>\n
John Alexander<\/p>\n
PAIS \/<\/p>\n
COUNTRY<\/p>\n
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EUA<\/p>\n
ANO \/<\/p>\n
YEAR<\/p>\n
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2021<\/p>\n
REALIZADOR \/<\/p>\n
DIRECTOR<\/p>\n
:<\/p>\n
John<\/p>\n
Alexander<\/p>\n
PA\u00cdS \/<\/p>\n
COUNTRY<\/p>\n
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EUA<\/p>\n
ANO \/<\/p>\n
YEAR<\/p>\n
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2021<\/p>\n