{"id":442,"date":"2021-10-15T17:13:47","date_gmt":"2021-10-15T17:13:47","guid":{"rendered":"https:\/\/www.clit.online\/2021\/?page_id=442"},"modified":"2021-10-15T17:39:41","modified_gmt":"2021-10-15T17:39:41","slug":"replicas","status":"publish","type":"page","link":"https:\/\/clit.online\/2021\/replicas\/","title":{"rendered":"R\u00e9plicas"},"content":{"rendered":"
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16 Outubro \/ 16 October<\/h3>\n<\/div>\n<\/div>\n
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 <\/p>\n<\/div>\n

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9h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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o preterido \/ the outtake<\/span><\/p>\n

Alecs Nastoiu<\/p>\n

Para tr\u00e1s de um bom desempenho art\u00edstico ficou um longo caminho preenchido por horas de ensaios, provas de vestu\u00e1rio, memoriza\u00e7\u00e3o de frases… Tudo para descobrir como certa personagem anda, fala e pensa. Infelizmente, artistas como o Sr. Virgil n\u00e3o t\u00eam a oportunidade de criar qualquer personagem ou performance.<\/p>\n

A good artistic performance is preceded by hours of rehearsals, costume fitting, memorizing lines… Everything to find out how a certain character walks, speaks and thinks. Unfortunately, artists like Mr. Virgil don’t have the opportunity to create any characters or performances.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Rom\u00e9nia \/ Romania<\/span><\/strong><\/p>\n

9 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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9h10<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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sem vida \/<\/span> lifeless<\/span><\/p>\n

Foad Asadi<\/p>\n

Numa floresta proibida onde as pessoas se v\u00e3o suicidar, dois homens procuram cad\u00e1veres para vender. Um dia, deparam-se com uma jovem que est\u00e1 prestes a enforcar-se, o que gera uma contenda entre ambos.<\/p>\n

In a forbidden forest where people go to commit suicide, two men look for corpses to sell. One day, they come across a young woman who is about to hang herself, causing a quarrel between them.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Ir\u00e3o \/ Iran<\/span><\/strong><\/p>\n

14 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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9h25<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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Oliver black<\/span><\/p>\n

Tawfik Baba<\/p>\n

Um rapaz africano inicia uma travessia do deserto em busca de um sonho: trabalhar no circo em Marrocos.
\nDurante o percurso, conhece um homem branco, mais velho, que lhe diz estar a caminho do casamento da neta mas ter perdido o camelo. Juntos, enfrentam o ambiente hostil que os rodeia, partilhando vis\u00f5es do mundo e desenvolvendo um v\u00ednculo pai\/filho.
\nA dado ponto, o homem branco fica ferido ao tentar salvar a vida do jovem, pelo que este decide carreg\u00e1-lo pelo resto do trajeto. Mas o rapaz em breve ir\u00e1 deparar-se com um palco onde jamais se imaginara: o ISIS. Torna-se, ent\u00e3o, Oliver Black.<\/p>\n

An African boy is crossing the desert in pursuit of a dream: to work in the circus in Morocco.
\nAlong the way, he meets an older white man who tells him that he is on his way to his granddaughter’s wedding but has lost his camel. Together, they face the hostile environment that surrounds them, sharing worldviews and developing a parent\/child bond.
\nAt a point, the white man gets wounded while trying to save  the boy’s life, and in return the boy decides to carry him the rest of the way. But soon the boy will face a stage he had never imagined: ISIS. He then becomes Oliver Black.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Marrocos \/ Morocco<\/span><\/strong><\/p>\n

93 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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10h57<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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PlanO C \/ PLAN C<\/span><\/p>\n

Alberto Eche <\/p>\n

Dois homens planeiam um assalto: um deles, o mentor do golpe, arquitectou tudo detalhadamente, enquanto o outro, seu parceiro, \u00e9 um temeroso novato que nada entende. Mas, j\u00e1 agora, o que querem eles roubar?<\/p>\n

Two men plan a robbery: one of them, the mastermind of the coup, has planned everything in detail, while the other, his partner, is a fearful newcomer who understands nothing. But… what do they want to steal?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

3 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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11h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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A Sala da correspond\u00eancia \/ the letter room<\/span><\/p>\n

Elvira Lind<\/p>\n

Richard, um agente de bom cora\u00e7\u00e3o, \u00e9 transferido para a sala da correspond\u00eancia da pris\u00e3o. A\u00ed, descobre as bel\u00edssimas cartas que um homem no corredor da morte recebe da esposa.
\nEnfastiado com a sua rotina solit\u00e1ria e encantado com o acesso que agora tem \u00e0 vida privada dos presos, Richard atenta contra as regras, lendo mais do que lhe \u00e9 permitido e envolvendo-se nas exist\u00eancias alheias para al\u00e9m do devido.<\/p>\n

Richard, a kind-hearted agent, is transferred to the prison’s mail room. There, he discovers the beautiful letters that a man on death row receives from his wife.
\nBored with his solitary routine and delighted with the access he now has to the inmates’ private lives, Richard goes against the rules, reading more than he is allowed and getting involved in other people’s existences.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

EUA \/ USA<\/span><\/strong><\/p>\n

32 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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11h32<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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PARA o MAR \/ TO THE SEA<\/span><\/p>\n

Marco A. Nu\u00f1ez <\/p>\n

Ap\u00f3s a pandemia, um jovem casal decide mudar-se para junto do mar e lan\u00e7ar-se num novo come\u00e7o. Enquanto Lorena tenta concluir um projeto art\u00edstico, Diego consegue emprego na biblioteca local.
\nMas \u00e9 a\u00ed que surge Vicente, um rapaz enigm\u00e1tico que os far\u00e1 repensar a ideia de amor e de rela\u00e7\u00e3o de casal.
\nForma-se, ent\u00e3o, um tri\u00e2ngulo que conhecer\u00e1 o seu destino entre a floresta e o mar.<\/p>\n

After the pandemic, a young couple decides to move to the sea and launch a new beginning. While Lorena tries to complete an artistic project, Diego gets a job at the local library.
\nBut that’s where Vicente appears, an enigmatic boy who will make them rethink the idea of love and a couple relationship.
\nThen, a triangle is formed that will know its destiny between the forest and the sea.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Chile<\/span><\/strong><\/p>\n

78 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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12h50<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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D\u1eccL\u00c1P\u00d2 EST\u00c1 BEM \/ D\u1eccL\u00c1P\u00d2 IS FINE<\/span><\/p>\n

Ethosheia Hylton<\/p>\n

Senhora de um cabelo e um nome invulgares, D\u1ecdl\u00e1p\u00f2 muda de imagem para se integrar num meio pouco aberto \u00e0 diferen\u00e7a. Mas talvez os seus tra\u00e7os distintivos tenham mais espa\u00e7o para existir do que inicialmente a tentam fazer crer.<\/p>\n

Owner of an unusual hair and name, D\u1ecdl\u00e1p\u00f2 changes her image to fit in an environment not very open to difference. But perhaps her distinctive features have more room to exist than initially expected\u2026<\/em><\/span><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

R<\/strong>eino Unido \/ UK<\/span><\/strong><\/p>\n

15 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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13h05<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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SONHO\/VIDA \/<\/span> DREAM\/LIFE<\/span><\/p>\n

David Aufdembrinke<\/p>\n

Um jovem decide fugir da rotina para descobrir o que realmente quer da vida. Os seus amigos recusam-se a participar da sua empreitada, pelo que ele segue sozinho. E chega mais longe do que jamais ousaria sonhar.<\/p>\n

A young man escapes his routine to find out what he truly wants in life. His friends refuse to participate in his endeavor, so he goes alone. And arrives further than he ever would have dared to dream<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Alemanha \/ Germany<\/span><\/strong><\/p>\n

22 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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13h27
\nCasa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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MOIRA \/ MOIRA<\/span><\/p>\n

Daniel Lovecchio<\/p>\n

Germ\u00e1n \u2013 natural da Argentina mas h\u00e1 trinta anos a residir em Espanha \u2013 v\u00ea o passado voltar inesperadamente at\u00e9 si quando recebe um telefonema que o confronta com o que passou durante a ditadura no seu pa\u00eds natal.
\nImpossibilitado de virar costas \u00e0s mem\u00f3rias, resta-lhe lidar com um passado doloroso ao mesmo tempo que tenta gerir problemas na fam\u00edlia, composta pela sua esposa, Rosa, e a sua filha, L\u00facia.
\nEsta longa-metragem assenta na experi\u00eancia do realizador \u2013 que tamb\u00e9m protagoniza o filme \u2013 durante a ditadura argentina de finais dos anos 70 e nas consequ\u00eancias actuais da mesma.<\/p>\n

Germ\u00e1n \u2013 born in Argentina but living in Spain for thirty years \u2013 sees the past unexpectedly come back when he receives a phone call that confronts him with what happened during the dictatorship in his home country.
\nUnable to turn his back on the memories, he is left to deal with a painful past while trying to manage problems within the family, composed of his wife, Rosa, and daughter, L\u00facia.
\nThis feature film is based on the experience of the director \u2013 who also stars in the film \u2013 during the Argentine dictatorship of the late 70s and on its current consequences<\/span><\/em>.<\/span><\/em><\/p>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

93 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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O \u00daLTIMO DIA DO PATRIARCADO \/
\nTHE LAST DAY OF PATRIARCHY<\/span><\/p>\n

Olmo Omerzu <\/p>\n

Jakub decide apresentar Nina, a sua namorada, \u00e0 fam\u00edlia, que se encontra reunida no hospital, onde o av\u00f4 de Jakub se encontra \u00e0s portas da morte. Mas quando o moribundo decide pedir para ver os seios de Nina, estala a discuss\u00e3o: dever\u00e1 o \u00faltimo desejo do patriarca ser satisfeito?<\/p>\n

Jakub decides to introduce Nina, his girlfriend, to the family. They’re all gathered at the hospital, where Jakub’s grandfather is on the verge of death. But when the dying man decides to ask to see Nina’s breasts, a debate sparks: should the patriarch’s last wish be satisfied?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Rep\u00fablica Checa \/ Czechia<\/span><\/strong><\/p>\n

15 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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15h15<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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viral<\/span><\/p>\n

Laura A. Mart\u00ednez Hinojosa<\/p>\n

Kika, uma adolescente dedicada a explorar a sua sexualidade, v\u00ea fotos da sua nudez serem partilhadas online sem o seu consentimento. Julgada por todos, cabe-lhe mostrar que \u00e9 a \u00fanica a quem compete decidir o que fazer com o pr\u00f3prio corpo.<\/p>\n

Kika, a teenager dedicated to exploring her sexuality, is confronted with her nude photos being shared online without her consent. Judged by everyone, it is up to her to show that she is the only one who decides what to do with her own body.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

M\u00e9xico \/ Mexico<\/span><\/strong><\/p>\n

17 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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15h32<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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Algo sobre uma mulher \/
\nabout a woman<\/span><\/p>\n

Mariano Turek, Luj\u00e1n Loioco <\/p>\n

Ano de 1955. Rosa \u00e9 uma costureira habilidosa numa cidade do interior e uma f\u00e3 de hist\u00f3rias de detetives.
\nComo o marido n\u00e3o est\u00e1 muito presente em casa, ela passa bastante tempo sozinha e entregue a uma exist\u00eancia sem novidade, limitando-se a usar o terra\u00e7o para espiar os outros sem ser vista.
\nComo reside num bairro de m\u00e1 nota, onde abundam personagens duvidosos e esquemas fraudulentos, sempre encontra com que se entreter. At\u00e9 \u00e0 noite em que testemunha um crime. A partir desse momento, a realidade e o seu mundo de fantasia colidem e Rosa torna-se a protagonista da sua pr\u00f3pria hist\u00f3ria de detetives.<\/p>\n

Year 1955. Rosa is a skilled seamstress in a provincial city and a fan of detective stories.
\nSince her husband is not very present at home, she spends a lot of time alone and devoted to an uneventful existence, limiting herself to using the terrace to spy on others without being seen.
\nAs she resides in a bad-rated neighborhood, where dodgy characters and scams abound, she always finds herself entertained. Until the night she witnesses a crime. From that moment on, reality and her fantasy world collide and Rosa becomes the protagonist of her own detective story.<\/span><\/em><\/p>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Argentina<\/strong><\/span><\/p>\n

78 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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17h00
\nCasa da Ba\u00eda<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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500 gelados \/ 500 ice creams<\/span><\/p>\n

Daria Karpova<\/p>\n

Andrey dirige-se apressadamente para casa quando \u00e9 travado por um mago que vem cumprir um desejo que ele manifestou aos 6 anos: receber 500 gelados e um c\u00e3o. Sucede que Andrey tem agora 35 anos e outras preocupa\u00e7\u00f5es: uma hipoteca aos ombros, um trabalho enfadonho e uma filha prestes a ingressar no ensino b\u00e1sico.<\/p>\n

Andrey rushes home when he is stopped by a wizard who comes to fulfill a wish he expressed at age 6: to receive 500 ice creams and a dog. It turns out that Andrey is now 35 and has other worries: a mortgage on his shoulders, a boring job, and a daughter about to start elementary school.<\/span><\/em><\/p>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

R\u00fassia \/ Russia<\/span><\/strong><\/p>\n

8 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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17h08
\nCasa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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coelho perdido \/<\/span> lost rabbit<\/span><\/p>\n

Bertrand Lissoir<\/p>\n

A viver uma depress\u00e3o desde a morte da esposa, Jef escusa-se a sair de casa. At\u00e9 que, num belo fim-de-semana, a sua afilhada, Lili, lhe confia Jacques, o seu coelhinho de estima\u00e7\u00e3o. Jef aceita o encargo, longe de supor os trabalhos em que, muito em breve, se ver\u00e1 metido. \u00c9 que o animal ao seu cuidado pouco tempo lhe dura nas m\u00e3os, e a sua tend\u00eancia para o eremitismo vai ser desafiada pela necessidade de o substituir antes do regresso de Lili..<\/p>\n

Living a depression since the death of his wife, Jef does not leave the house. Until, one beautiful weekend, his goddaughter, Lili, entrusts Jacques with her pet bunny. Jef accepts the assignment, far from assuming the jobs he will soon find himself involved in. All because the animal does not last long in his hands, and his reclusive tendency will be challenged by the need to replace him before Lili’s return..<\/span><\/em>.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

B\u00e9lgica \/ Belgium<\/span><\/strong><\/p>\n

22 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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17h30
\nCasa da Ba\u00eda<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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TOCAR O C\u00c9U \/<\/span> REACH THE SKY<\/span><\/p>\n

Milutin Daka Dari\u0107<\/p>\n

A harmonia de vida de Milutin, um homem de meia-idade, entra em colapso quando, ao tentar proteger o filho, a sua mulher, Magdalena, sofre um acidente de autom\u00f3vel que a deixa sem conseguir andar.
\nO amor entre o casal, desde sempre forte, assim permanece, permitindo a ambos lidar com uma s\u00e9rie de situa\u00e7\u00f5es nesta nova fase sem nunca perderem a esperan\u00e7a num regresso \u00e0 normalidade.
\nTodavia, os infort\u00fanios v\u00eam regularmente acompanhados e, como tal, enquanto tenta assegurar alguma felicidade para a mulher e o filho, Milutin v\u00ea-se cercado pela turbul\u00eancia pol\u00edtica e social que grassa no seu pa\u00eds.
\nConseguir\u00e1 ele, com a sua sanidade f\u00edsica e mental e uma mudan\u00e7a de cen\u00e1rio, restaurar o id\u00edlio familiar?<\/p>\n

The life harmony of Milutin, a middle-aged man, collapses when, while trying to protect her son, his wife, Magdalena, suffers a car accident that leaves her unable to walk.
\nThe love between the couple, which has always been strong, remains so, allowing both to deal with a series of situations in this new phase without ever losing hope of a return to normal.
\nHowever, misfortunes often go hand in hand and, as such, while trying to ensure some happiness for his wife and child, Milutin finds himself surrounded by the political and social turmoil raging in his country.
\nWill he be able to restore the family idyll with his physical and mental sanity and a change of scenery?<\/span><\/em><\/p>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Montenegro<\/span><\/strong><\/p>\n

93 min.<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n

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19h00
\nCasa da Ba\u00eda<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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PAR\u00caNTESES \/ PARENTHESIS<\/span><\/p>\n

Denis Larzilli\u00e8re<\/p>\n

Mia recebe not\u00edcias tr\u00e1gicas enquanto espera pelo seu uber. Em estado de choque, ela entra no carro de Tom por engano. Os dois estranhos embarcam ent\u00e3o na noite. E talvez a realidade entre em pausa para ambos…<\/p>\n

Mia receives tragic news while waiting for her uber. In shock, she gets into Tom’s car by mistake. The two strangers then embark into the night. And maybe reality takes a break for both of them..<\/span><\/em>.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Fran\u00e7a \/ France<\/span><\/strong><\/p>\n

12 min.<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n

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19h12
\nCasa da Ba\u00eda<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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MENINA VENENO \/<\/span> POISON GIRL<\/span><\/p>\n

Gleison Mota<\/p>\n

Vivi \u00e9 uma prostituta que se apaixona por um dos seus clientes, a estrela do rock Phillip Neves. Explosiva por natureza, Vivi nem sempre est\u00e1 pelos ajustes com o amor, a vida profissional e familiar. Conseguir\u00e1 ela aprender a lidar com estes tr\u00eas pilares sem os fazer ruir?<\/p>\n

Vivi is a prostitute who falls in love with one of her clients, the rock star Phillip Neves. Explosive by nature, Vivi sometimes can’t stand certain things when it comes to love, work and family life. Will she be able to learn to deal with these three pillars without making them collapse?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Brasil \/ Brazil<\/span><\/strong><\/p>\n

19 min.<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n

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19h30
\nCasa da Ba\u00eda<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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NOVEMBRO \/ NOvember<\/span><\/p>\n

Railane Borges, Mat\u00edas Palma <\/p>\n

J\u00falio \u00e9 um analista de sistemas de meia-idade que leva uma vida aparentemente normativa e sem surpresas.
\nA lidar com crises de ansiedade e pesadelos constantes, ele v\u00ea a sua exist\u00eancia come\u00e7ar a transformar-se a partir de um epis\u00f3dio inesperado que o apresenta a Carla, por quem se apaixona.
\nContudo, esse encontro conduz ao intensificar das suas crises e inseguran\u00e7as, e J\u00falio ter\u00e1 de escolher entre permanecer ref\u00e9m dos traumas do passado ou enfrent\u00e1-los e permitir-se experimentar um sentimento real e \u00fanico.<\/p>\n

Julio is a middle-aged systems analyst who leads an apparently normative and unsurprising life.
\nDealing with bouts of anxiety and constant nightmares, he sees his existence begin to transform from an unexpected episode that introduces him to Carla, with whom he falls in love.
\nHowever, this encounter leads to the intensifying of their crises and insecurities, and Julio will have to choose between remaining hostage to the traumas of the past or face them and allow himself to experience a real and unique feeling<\/span><\/em>.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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R\u00c9PLICAS<\/b><\/p>\n

Brasil \/ Brazil<\/span><\/strong><\/p>\n

110 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

16 Outubro \/ 16 October   9h00 Casa da Ba\u00eda o preterido \/ the outtake Alecs Nastoiu Para tr\u00e1s de um bom desempenho art\u00edstico ficou um longo caminho preenchido por horas de ensaios, provas de vestu\u00e1rio, memoriza\u00e7\u00e3o de frases… Tudo para descobrir como certa personagem anda, fala e pensa. Infelizmente,<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"index","bgseo_robots_follow":"follow","crio-premium-page-header-override":null,"crio-premium-page-header-select":"none","crio-premium-page-header-featured-image-background":"","crio-premium-page-header-background":"","footnotes":""},"class_list":["post-442","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/comments?post=442"}],"version-history":[{"count":3,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/442\/revisions"}],"predecessor-version":[{"id":446,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/442\/revisions\/446"}],"wp:attachment":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/media?parent=442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}