{"id":431,"date":"2021-10-14T23:58:11","date_gmt":"2021-10-14T23:58:11","guid":{"rendered":"https:\/\/www.clit.online\/2021\/?page_id=431"},"modified":"2021-10-15T01:17:09","modified_gmt":"2021-10-15T01:17:09","slug":"upsidedown","status":"publish","type":"page","link":"https:\/\/clit.online\/2021\/upsidedown\/","title":{"rendered":"Mundo do avesso \/ Upside down"},"content":{"rendered":"
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15 Outubro \/ 15 October<\/h3>\n<\/div>\n<\/div>\n
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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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QUANDO VEM DA TERRA \/<\/span> when it comes from the earth<\/span><\/p>\n

Kati Egely<\/p>\n

Ao som de uma c\u00fambia, uma menina partilha as suas mem\u00f3rias e reflex\u00f5es, desafiando-nos a questionar as nossas op\u00e7\u00f5es. Andaremos a fazer as escolhas certas? Estaremos a valorizar devidamente aquilo que a Terra nos d\u00e1?<\/p>\n

At the sound of a cumbia, a girl shares her memories and reflections, challenging us to question our options. Will we be making the right choices? Are we properly valuing what the Earth gives us?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Hungria \/ Hungary<\/span><\/strong><\/p>\n

4 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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sonho com transportes decentes \/<\/span> i dream of decent transportation<\/span><\/p>\n

Alessandro Diaco<\/p>\n

Mais de 500.000 mulheres trabalham no setor agr\u00edcola na Tun\u00edsia, mas s\u00e3o raras as que disp\u00f5em de prote\u00e7\u00e3o a n\u00edvel da sa\u00fade ou laboral. Isto apesar dos frequentes acidentes de tr\u00e2nsito que lhes causam ferimentos ou mesmo a morte.<\/p>\n

More than 500,000 women work in the agricultural sector in Tunisia, but few have health or employment protection. This is despite the frequent traffic accidents that cause them injuries or even death.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Tun\u00edsia \/<\/span> Tunisia<\/strong><\/span><\/p>\n

7 min<\/strong>.<\/strong><\/p>\n

ESTREIA EUROPEIA E LUS\u00d3FONA
\nEUROPEAN AND LUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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colheitas de chuva \/ <\/span>rain harvests<\/span><\/p>\n

N\u00edcolas Andr\u00e9 Dur\u00e1n Garz\u00f3n<\/p>\n

Com as altera\u00e7\u00f5es clim\u00e1ticas a causarem secas, a comunidade ind\u00edgena em Huehuetenango, na Guatemala, lida com uma crescente dificuldade na obten\u00e7\u00e3o de \u00e1gua, havendo quem fa\u00e7a cinco viagens di\u00e1rias para ter este recurso em casa em quantidade suficiente. Mas um sistema de capta\u00e7\u00e3o da chuva em breve mudar\u00e1 este cen\u00e1rio.<\/p>\n

With climate change causing drought, the indigenous community in Huehuetenango, Guatemala, is facing an increasing difficulty in obtaining water, with people making five trips a day to have enough water at home. But a rain harvest system will soon change this scenario.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Col\u00f4mbia \/ Colombia<\/span><\/strong><\/p>\n

10 min.<\/strong><\/p>\n

ESTREIA EUROPEIA E LUS\u00d3FONA
\nEUROPEAN AND LUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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O REGRESSO AO CAMPO \/<\/span> THE RETURN TO THE COUNTRYSIDE<\/span><\/p>\n

Juan Pablo Lepore<\/p>\n

A necessidade de tornar vis\u00edveis os conflitos e as dificuldades vividos no campo profundo, onde o avan\u00e7o da fronteira agro-pecu\u00e1ria tem obrigado as comunidades a abandonarem as suas terras, est\u00e1 na origem deste document\u00e1rio.
\nO regresso ao campo \u00e9 aqui apresentado como ferramenta de transforma\u00e7\u00e3o social, de recupera\u00e7\u00e3o de um estilo de vida praticamente esquecido e de constru\u00e7\u00e3o de um futuro melhor para as novas gera\u00e7\u00f5es.
\nNum contexto marcado pela pobreza e pela exclus\u00e3o, \u00e9 tamb\u00e9m destacado o trabalho das organiza\u00e7\u00f5es rurais que, h\u00e1 anos, fazem nascer produtos saud\u00e1veis para proporcionar \u00e0 popula\u00e7\u00e3o uma alimenta\u00e7\u00e3o local de qualidade.<\/p>\n

The need to give visibility to the conflicts and difficulties experienced in the countryside, where the advance of the agricultural-livestock frontier has forced communities to abandon their lands, is at the origin of this documentary.
\nThe return to the countryside is presented here as a tool for social transformation, for recovering a practically forgotten lifestyle and for building a better future for new generations.
\nIn a context marked by poverty and exclusion, the work of rural organizations that, for years, have been producing healthy products to provide the population with quality local food is also highlighted.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Argentina<\/span><\/strong><\/p>\n

73 min.<\/strong><\/p>\n

ESTREIA NACIONAL
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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O QUADRO \/<\/span> THE FRAME<\/span><\/p>\n

Mert Sata, Berk Sata<\/p>\n

Num museu de arte moderna, um quadro destinado a uma exposi\u00e7\u00e3o \u00e9 suspenso de forma errada por uma funcion\u00e1ria. At\u00e9 que o engano seja corrigido, muitos visitantes v\u00e3o passar por ele… e as suas opini\u00f5es s\u00e3o dignas de registo.<\/p>\n

In a modern art museum, a painting intended for an exhibition is wrongly placed by an employee. Until the mistake is corrected, many visitors will pass through it… and their opinions are noteworthy.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Turquia \/ Turkey<\/span><\/strong><\/p>\n

3 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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\u00c9 FAVOR N\u00c3O MEXER \/ PLEASE DON’T TOUCH<\/span><\/p>\n

Capucine Gougelet<\/p>\n

As regras a cumprir no museu s\u00e3o simples: n\u00e3o correr, n\u00e3o tocar, n\u00e3o gritar e nunca desobedecer. Num cen\u00e1rio em que nem todos os visitantes est\u00e3o na disposi\u00e7\u00e3o de as respeitar, como ser\u00e3o punidos os infratores?<\/p>\n

The rules to be followed at the museum are simple: don’t run, don’t touch, don’t scream and never disobey. In a scenario where not all visitors are willing to respect them, how will offenders be punished?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Fran\u00e7a \/ France<\/span><\/strong><\/p>\n

9 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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A CAPELA sistina underground \/ the underground sistine chapel<\/span><\/p>\n

Antoine Breuil, Yohann Grignou<\/p>\n

Os frescos da Capela Sistina, criados por alguns dos maiores artistas do Renascimento, constituem uma das grandes atra\u00e7\u00f5es tur\u00edsticas do Vaticano. Neste document\u00e1rio, acompanhamos a execu\u00e7\u00e3o de uma r\u00e9plica de parte desse trabalho pelo street artist<\/em> franc\u00eas Pascal Boyart (aka Pboy). A sua obra, concebida com um detalhismo impressionante, deu um cunho de galeria a uma antiga fundi\u00e7\u00e3o de ouro num sub\u00farbio pobre de Paris. E lan\u00e7ou a escada para uma reflex\u00e3o sobre o acesso \u00e0 arte por parte do cidad\u00e3o comum.<\/p>\n

The Sistine Chapel frescoes, created by some of the greatest artists of the Renaissance, are one of the great tourist attractions of the Vatican. In this documentary, we follow the execution of a replica of part of this work by French street artist Pascal Boyart (aka Pboy). His work, conceived with impressive detail, turned an old gold foundry in a poor suburb of Paris into a gallery. And it opens up a reflection on the access to art by the common citizen.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Fran\u00e7a \/ France<\/span><\/strong><\/p>\n

78 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00
\nInatel
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\"\"<\/p>\n<\/div>\n<\/div>\n

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Abrindo o contentor \/ opening the dumpster<\/span><\/p>\n

Miriam Tamayo<\/p>\n

Na Noruega, h\u00e1 quem mergulhe nos contentores do lixo em busca dos alimentos em bom estado que as superf\u00edcies comerciais deitam fora ao final de cada dia. Quem assim procede, f\u00e1-lo por necessidade econ\u00f3mica ou ativismo antidesperd\u00edcio? E como \u00e9 vista a pr\u00e1tica pelos cidad\u00e3os estrangeiros a viver naquele que \u00e9 um dos pa\u00edses mais ricos da Europa?<\/p>\n

In Norway, there are people who dive into dumpsters in search of the untainted food that retail stores dispose of at the end of each day. Do they do it out of economic necessity or anti-waste activism? And how is it seen by foreign citizens living in one of the richest countries in Europe?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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NETWORK!<\/b><\/p>\n

Noruega \/ Norway<\/span><\/strong><\/p>\n

12 min.<\/strong><\/p>\n

ESTREIA MUNDIAL
\nWORLD PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00<\/p>\n

Inatel<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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16\/8*<\/span><\/p>\n

Sasha Paracels<\/p>\n

Acorrentada a um cano numa divis\u00e3o sombria, uma jovem ter\u00e1 de lutar para se libertar. E tentar perceber os motivos de ter sido enclausurada.<\/p>\n

Chained to a pipe in a dark room, a young woman will have to struggle to free herself. And understand the reasons of her imprisonment.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

R\u00fassia \/ Russia<\/span><\/strong><\/p>\n

7 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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19h00<\/p>\n

Inatel<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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O eleito \/ the shepherd*<\/span><\/p>\n

Ilya Plyusnin<\/p>\n

Sob a press\u00e3o dos problemas do dia-a-dia e com um relat\u00f3rio anual por entregar ao seu desp\u00f3tico chefe, s\u00f3 faltava ao protagonista desta curta ser declarado \u201cO Eleito\u201d por uma miss\u00e3o alien\u00edgena…<\/p>\n

Under the pressure of day-to-day problems and with an annual report to hand over to his despotic boss, the protagonist of this short film will be declared “The One” by an alien mission…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

R\u00fassia \/ Russia<\/span><\/strong><\/p>\n

9 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00<\/p>\n

Inatel<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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sorte \/ fortune*<\/span><\/p>\n

Anatoly Tarabrin<\/p>\n

Sergey h\u00e1 muito que n\u00e3o \u00e9 pago pelo seu trabalho de guionista, o que exaspera a sua esposa. Mas eis que, inesperadamente, um milh\u00e3o de rublos lhe entra na conta banc\u00e1ria. A sua mulher come\u00e7a desde logo a planear como vai gastar o dinheiro. S\u00f3 que, enquanto isso, Sergey aposta a verba no resultado de um jogo de futebol…<\/p>\n

Sergey has not been paid for his screenwriting work for a long time, which exasperates his wife. But then, unexpectedly, a million rubles enters his bank account. His wife starts planning how she is going to spend the money. But, in the meantime, Sergey decides to bet the money on the outcome of a football game…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

R\u00fassia \/ Russia<\/span><\/strong><\/p>\n

19 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00<\/p>\n

Inatel<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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Stalin ilimitado \/ stalin unlimited*<\/span><\/p>\n

Yury Vorobev<\/p>\n

O liberal desempregado Egor obt\u00e9m um emprego em que tem de encarnar o l\u00edder sovi\u00e9tico Stalin. A jornada de trabalho n\u00e3o corre bem e ele precisa de ganhar mais dinheiro para pagar d\u00edvidas. Por isso, tenta uma sa\u00edda extrema: uma autopromo\u00e7\u00e3o absurda de Stalin. O evento n\u00e3o passa despercebido e a pol\u00edcia prende Egor e os seus colegas, tornando-o num s\u00edmbolo de liberdade.<\/p>\n

The unemployed liberal Egor gets a job as double of the Soviet leader Stalin. The working day goes badly and he needs to make more money to pay debts. He then tries an extreme way out: an absurd self-promo of Stalin. It doesn\u2019t go unnoticed and the police arrests Egor and his colleagues, turning him into a symbol of freedom.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

R\u00fassia \/ Russia<\/span><\/strong><\/p>\n

25 min.<\/strong><\/p>\n

ESTREIA EUROPEIA<\/strong>
\nEUROPEAN PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00<\/p>\n

Inatel<\/span><\/p>\n<\/div>\n

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ENQUANTO TROVEJA \/
\nWHILE THUNDERING AROUND*<\/span><\/p>\n

Aleksey Postnov<\/p>\n

Zhang Yu \u00e9 uma jovem hospedeira de bordo desajustada das fun\u00e7\u00f5es que exerce. Por\u00e9m, o pai considera que o seu rumo n\u00e3o podia estar mais correto. Num meio em que Yu n\u00e3o consegue impor a sua voz, talvez Yan, um fot\u00f3grafo que s\u00f3 ouve com a ajuda de um aparelho auditivo, seja o \u00fanico capaz de realmente a escutar.<\/p>\n

Zhang Yu is a young flight attendant who doesn’t fit in with her duties. However, her father considers that her course could not have been more correct. In an environment where Yu cannot make herself heard, perhaps Yan, a photographer who only hears with the help of a hearing aid, is the only one able to really hear her.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

R\u00fassia \/ Russia<\/span><\/strong><\/p>\n

30 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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* Por raz\u00f5es alheias \u00e0 nossa vontade, a sess\u00e3o de domingo, dia 10, \u00e0s 10h00, acabou por n\u00e3o se efetuar. Por esse motivo, reprogram\u00e1mo-la para esta sexta-feira, dia 15, \u00e0s 19h00, no Inatel.<\/p>\n

* For reasons beyond our control, the session on Sunday, the 10th, at 10:00 am, ended up not being held. For this reason, we rescheduled it for this Friday, the 15th, at 7 pm, at Inatel.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

15 Outubro \/ 15 October   10h00 Audit\u00f3rio Nobre do IPS QUANDO VEM DA TERRA \/ when it comes from the earth Kati Egely Ao som de uma c\u00fambia, uma menina partilha as suas mem\u00f3rias e reflex\u00f5es, desafiando-nos a questionar as nossas op\u00e7\u00f5es. Andaremos a fazer as escolhas certas? Estaremos<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"index","bgseo_robots_follow":"follow","crio-premium-page-header-override":null,"crio-premium-page-header-select":"none","crio-premium-page-header-featured-image-background":"","crio-premium-page-header-background":"","footnotes":""},"class_list":["post-431","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/comments?post=431"}],"version-history":[{"count":4,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/431\/revisions"}],"predecessor-version":[{"id":437,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/431\/revisions\/437"}],"wp:attachment":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/media?parent=431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}