{"id":403,"date":"2021-10-14T07:24:40","date_gmt":"2021-10-14T07:24:40","guid":{"rendered":"https:\/\/www.clit.online\/2021\/?page_id=403"},"modified":"2021-10-14T08:02:29","modified_gmt":"2021-10-14T08:02:29","slug":"futures","status":"publish","type":"page","link":"https:\/\/clit.online\/2021\/futures\/","title":{"rendered":"Futuros \/ Futures"},"content":{"rendered":"
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14 Outubro \/ 14 October<\/h3>\n<\/div>\n<\/div>\n
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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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GOING HOME<\/span><\/p>\n

Beatriz Ribeiro<\/p>\n

Um homem regressa \u00e0 casa onde cresceu e que entretanto p\u00f4s \u00e0 venda. Ao entrar no espa\u00e7o, mem\u00f3rias e figuras associadas \u00e0 sua inf\u00e2ncia voltam instantaneamente at\u00e9 ele. Que decis\u00e3o ir\u00e1 tomar ao sair?<\/p>\n

A man returns to the house where he grew up and which he has since put up for sale. Upon entering space, memories and figures associated with his childhood instantly return to him. What will he decide?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

3 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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CREATURE OF HABIT<\/span><\/p>\n

Beatriz Nunes Silva<\/p>\n

Ao arranjar emprego num viveiro, Azelea mostra que pretende ser uma funcion\u00e1ria exemplar. S\u00f3 que a sua dedica\u00e7\u00e3o ao trabalho vai conduzi-la \u00e0 exaust\u00e3o. E \u00e9 quando colapsa que se encontra com outra vers\u00e3o de si.<\/p>\n

When getting a job at a seedling nursery, Azelea does her best to be a model employee. But her dedication will drive her to exhaustion. And when she collapses, she meets another version of herself.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

4 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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GROW UP<\/span><\/p>\n

Thomas Coutinho<\/p>\n

Peter Pan n\u00e3o queria crescer para n\u00e3o ser, um dia, um homem preso num escrit\u00f3rio. O protagonista desta hist\u00f3ria decerto concordaria com ele…<\/p>\n

Peter Pan didn’t want to grow up so, one day, he wouldn’t be a man trapped in an office. The protagonist of this story would certainly agree…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

3 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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HOTARU<\/span><\/p>\n

Marta Ribeiro<\/p>\n

Imersa em met\u00e1foras que visitam o seu inconsciente, uma jovem \u00e9 guiada de porta em porta pelo destino.<\/p>\n

Immersed in metaphors that visit her unconscious, a young woman is guided from door to door by destiny.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

3 min<\/strong>.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\u00c1TOMOS DE LUZ \/ ATOMS OF LIGHT<\/span><\/p>\n

Leonor Teixeira<\/p>\n

Uma voz perdida inicia a busca por algo concreto que possa ver e sentir, numa jornada que trata da desconex\u00e3o entre o Homem e a Natureza. E de uma poss\u00edvel reconex\u00e3o.<\/p>\n

A lost voice starts the search for something concrete that can be seen and felt, in a journey that deals with the disconnect between Man and Nature. And a possible reconnection.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

4 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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DE A A D \/ FROM A TO D<\/span><\/p>\n

Maria Jo\u00e3o Paiva<\/p>\n

A puberdade feminina ser\u00e1 vivida de igual forma por todas aquelas que a experimentam? E ser\u00e1 sentida de forma id\u00eantica em todos os contextos? Nesta curta, diferentes gera\u00e7\u00f5es de mulheres relatam os seus casos.<\/p>\n

Is female puberty experienced equally by all women? And is it felt the same in all contexts? Different generations of women report their cases.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

10 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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C\u00c9U A DESCOBERTO \/ uncovered sky<\/span><\/p>\n

Maria Maio Dias<\/p>\n

Dois jovens contam para a c\u00e2mara os seus medos e o efeito dos mesmos no seu quotidiano e na sua intera\u00e7\u00e3o com os outros, revelando igualmente a que t\u00e9cnicas recorrem para os contornar ou superar.<\/p>\n

Two young people tell their fears and the effect they have on their daily lives and on their interaction with others to the camera, also revealing which techniques they use to avoid or overcome them.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

10 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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blue 52<\/span><\/p>\n

Catarina Nascimento<\/p>\n

Uma rapariga com tend\u00eancia para a solid\u00e3o e a melancolia ouve falar da baleia mais solit\u00e1ria do mundo e sente uma empatia imediata com a sua hist\u00f3ria. Ser\u00e1 esse o primeiro passo para uma mudan\u00e7a na sua vida?<\/p>\n

A girl prone to loneliness and melancholy hears about the loneliest whale in the world and feels an immediate empathy for her story. Is this the first step towards a change in her life?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

9 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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lIfe on paw[se]<\/span><\/p>\n

Francisco Silvestre<\/p>\n

Em tempos de pandemia, Louisa v\u00ea-se sozinha num pa\u00eds estrangeiro. Sem saber quando vai a situa\u00e7\u00e3o melhorar, ela sente-se perdida na \u201cespuma dos dias\u201d. Mas \u00e9 ent\u00e3o que ganha um amigo de quatro patas…<\/p>\n

During the pandemic, Louisa finds herself alone in a foreign country. Not knowing when the situation will improve, she feels lost. But then a four-legged friend comes along…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

10 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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syco<\/span><\/p>\n

Sara Santos<\/p>\n

Vasco \u00e9 um rapaz com sinais de sociopatia, um comportamento cada vez mais frequente numa sociedade em que grande parte das rela\u00e7\u00f5es \u00e9 mediada pela tecnologia. Mas, ao certo, como age um sociopata?<\/p>\n

Vasco is a boy with signs of sociopathy, a behavior increasingly common in a society in which most relationships are mediated by technology. But how exactly does a sociopath act?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal<\/span><\/strong><\/p>\n

7 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio 1 da EST<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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teo \/<\/span> THEo<\/span><\/p>\n

Eduardo Bunster, Bel\u00e9n Abarza<\/p>\n

Um casal decide planear o seu primeiro filho numa cl\u00ednica de edi\u00e7\u00e3o de genes, para que a crian\u00e7a venha a conseguir a vida feliz e bem-sucedida que lhes tem escapado. Mas ser\u00e1 isso compat\u00edvel com a no\u00e7\u00e3o de filho biol\u00f3gico?<\/p>\n

A couple decides to plan their first child at a gene editing clinic so that the child will get the happy and successful life that has been eluding them. But is this compatible with the notion of a biological child?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Chile<\/span><\/strong><\/p>\n

18 min<\/strong>.<\/strong><\/p>\n

ESTREIA NACIONAL
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio 1 da EST<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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quem te criou? \/<\/span> who made YOU?<\/span><\/p>\n

Iiris H\u00e4rm\u00e4<\/p>\n

Num momento em que a intelig\u00eancia artificial marca uma forte presen\u00e7a no quotidiano da Humanidade, chega-nos esta proposta de viagem ao mundo dos ciborgues, rob\u00f4s sexuais e andr\u00f3ides.
\nPassando pela Finl\u00e2ndia, Espanha, Su\u00e9cia, Gr\u00e9cia e pelo Jap\u00e3o, este document\u00e1rio revela os processos em curso na \u00e1rea da rob\u00f3tica, levantando quest\u00f5es como: O que \u00e9 real e o que \u00e9 fic\u00e7\u00e3o cient\u00edfica? O que representa o desenvolvimento da IA para n\u00f3s, seres humanos? Que quest\u00f5es \u00e9ticas est\u00e3o sobre a mesa?
\nO ciborgue Neil Harbisson, o rob\u00f4 andr\u00f3ide Hiroshi Ishiguro, e Sergi Santos, que cria intelig\u00eancia artificial para rob\u00f4s sexuais, s\u00e3o apenas algumas das personagens fascinantes deste document\u00e1rio, onde assistimos tamb\u00e9m aos primeiros e surpreendentes contactos de rob\u00f4s com crian\u00e7as e idosos.<\/p>\n

At a time when artificial intelligence has a strong presence in the daily lives of humanity, arrives this proposal for a journey into the world of cyborgs, sex robots and androids.
\nPassing through Finland, Spain, Sweden, Greece and Japan, this documentary reveals the ongoing processes in the field of robotics, raising questions such as: What is real and what is science fiction? What does AI development represent for us humans? What ethical issues are on the table?
\nCyborg Neil Harbisson, android robot Hiroshi Ishiguro, and Sergi Santos, who creates artificial intelligence for sex robots, are just some of the fascinating characters in this documentary, where we also witness the first and surprising contacts of robots with children and elderly people.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Finl\u00e2ndia \/<\/span> Finland<\/strong><\/span><\/p>\n

54 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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500 gelados \/ 500 ice creams<\/span><\/p>\n

Daria Karpova<\/p>\n

Andrey dirige-se apressadamente para casa quando \u00e9 travado por um mago que vem cumprir um desejo que ele manifestou aos 6 anos: receber 500 gelados e um c\u00e3o. Sucede que Andrey tem agora 35 anos e outras preocupa\u00e7\u00f5es: uma hipoteca aos ombros, um trabalho enfadonho e uma filha prestes a ingressar no ensino b\u00e1sico.<\/p>\n

Andrey rushes home when he is stopped by a wizard who comes to fulfill a wish he expressed at age 6: to receive 500 ice creams and a dog. It turns out that Andrey is now 35 and has other worries: a mortgage on his shoulders, a boring job, and a daughter about to start elementary school.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

R\u00fassia \/ Russia<\/span><\/strong><\/p>\n

8 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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coelho perdido \/<\/span> lost rabbit<\/span><\/p>\n

Bertrand Lissoir<\/p>\n

A viver uma depress\u00e3o desde a morte da esposa, Jef escusa-se a sair de casa. At\u00e9 que, num belo fim-de-semana, a sua afilhada, Lili, lhe confia Jacques, o seu coelhinho de estima\u00e7\u00e3o. Jef aceita o encargo, longe de supor os trabalhos em que, muito em breve, se ver\u00e1 metido. \u00c9 que o animal ao seu cuidado pouco tempo lhe dura nas m\u00e3os, e a sua tend\u00eancia para o eremitismo vai ser desafiada pela necessidade de o substituir antes do regresso de Lili..<\/p>\n

Living a depression since the death of his wife, Jef does not leave the house. Until, one beautiful weekend, his goddaughter, Lili, entrusts Jacques with her pet bunny. Jef accepts the assignment, far from assuming the jobs he will soon find himself involved in. All because the animal does not last long in his hands, and his reclusive tendency will be challenged by the need to replace him before Lili’s return…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

B\u00e9lgica \/ Belgium<\/span><\/strong><\/p>\n

22 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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TOCAR O C\u00c9U \/<\/span> REACH THE SKY<\/span><\/p>\n

Milutin Daka Dari\u0107<\/p>\n

A harmonia de vida de Milutin, um homem de meia-idade, entra em colapso quando, ao tentar proteger o filho, a sua mulher, Magdalena, sofre um acidente de autom\u00f3vel que a deixa sem conseguir andar.
\nO amor entre o casal, desde sempre forte, assim permanece, permitindo a ambos lidar com uma s\u00e9rie de situa\u00e7\u00f5es nesta nova fase sem nunca perderem a esperan\u00e7a num regresso \u00e0 normalidade.
\nTodavia, os infort\u00fanios v\u00eam regularmente acompanhados e, como tal, enquanto tenta assegurar alguma felicidade para a mulher e o filho, Milutin v\u00ea-se cercado pela turbul\u00eancia pol\u00edtica e social que grassa no seu pa\u00eds.
\nConseguir\u00e1 ele, com a sua sanidade f\u00edsica e mental e uma mudan\u00e7a de cen\u00e1rio, restaurar o id\u00edlio familiar?<\/p>\n

The life harmony of Milutin, a middle-aged man, collapses when, while trying to protect her son, his wife, Magdalena, suffers a car accident that leaves her unable to walk.
\nThe love between the couple, which has always been strong, remains so, allowing both to deal with a series of situations in this new phase without ever losing hope of a return to normal.
\nHowever, misfortunes often go hand in hand and, as such, while trying to ensure some happiness for his wife and child, Milutin finds himself surrounded by the political and social turmoil raging in his country.
\nWill he be able to restore the family idyll with his physical and mental sanity and a change of scenery?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Montenegro<\/span><\/strong><\/p>\n

93 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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AS PISTAS DO DESCOBRE-O!<\/b><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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O local da proje\u00e7\u00e3o de hoje fica num edif\u00edcio rosa claro frente ao jardim \u00e0 beira-mar retratado nesta foto. Nela vemos uma figura muito conhecida de Set\u00fabal: o Ervilha. Ao longo da vida, vendeu decerto muito mais do que “500 gelados”.<\/div>\n
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The screening venue of today is located in a pink building in front of the park by the river showed in the photo. This old photo shows a well-know local man: Ervilha. Throughout his life, he sold well above “500 ice creams”.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Se o protagonista de “Coelho perdido” aproveitasse as ofertas de lazer da institui\u00e7\u00e3o que nos cede as suas instala\u00e7\u00f5es para a proje\u00e7\u00e3o, n\u00e3o se sentiria deprimido. Isso ou dedicar-se a um dos trabalhos tradicionais retratados no painel que est\u00e1 numa das fachadas do edif\u00edcio.<\/div>\n
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If the protagonist of “Lost rabbit” tried the leisure activities offered by the partner whose facilities we are using for the projection, he wouldn’t certainly feel depressed. He could also dedicate himself to one of the traditional activities portrayed in the panel that is in one of the building’s fa\u00e7ades.<\/span><\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Para ser mais f\u00e1cil “Tocar o c\u00e9u”, a proje\u00e7\u00e3o ter\u00e1 lugar no primeiro andar do j\u00e1 referido edif\u00edcio rosa, com curvas e vista para um jardim \u00e0 beira-mar, jardim esse que ningu\u00e9m na cidade conhece pelo seu nome oficial: Jardim Engenheiro Lu\u00eds da Fonseca. Se com estas pistas n\u00e3o derem com o s\u00edtio, pe\u00e7am uma ajuda a S\u00e3o Francisco Xavier, que ele aponta-vos o local. Afinal, v\u00ea-o todos os dias.<\/p>\n

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To better “Reach the sky”, the projection will take place on the first floor of the said pink, curvy building with a view to a park by the river, a park that no one in the city knows by its official name: Jardim Engenheiro Lu\u00eds da Fonseca. If you don’t know where it is with these clues, ask for the help of Saint Francis Xavier, and he will point you the way. After all, he sees it everyday.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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14 Outubro \/ 14 October   10h00 Casa da Ba\u00eda GOING HOME Beatriz Ribeiro Um homem regressa \u00e0 casa onde cresceu e que entretanto p\u00f4s \u00e0 venda. Ao entrar no espa\u00e7o, mem\u00f3rias e figuras associadas \u00e0 sua inf\u00e2ncia voltam instantaneamente at\u00e9 ele. Que decis\u00e3o ir\u00e1 tomar ao sair? A man<\/p>\n

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