{"id":392,"date":"2021-10-13T17:06:44","date_gmt":"2021-10-13T17:06:44","guid":{"rendered":"https:\/\/www.clit.online\/2021\/?page_id=392"},"modified":"2021-10-13T17:07:50","modified_gmt":"2021-10-13T17:07:50","slug":"emergences","status":"publish","type":"page","link":"https:\/\/clit.online\/2021\/emergences\/","title":{"rendered":"Emerg\u00eancias \/ Emergences"},"content":{"rendered":"
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13 Outubro \/ 13 October<\/h3>\n<\/div>\n<\/div>\n
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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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APENAS UMA CRIAN\u00c7A \/<\/span> ONLY A CHILD<\/span><\/p>\n

Simone Giampaolo<\/p>\n

Sob a orienta\u00e7\u00e3o de Simone Giampaolo a partir de Londres, uma vintena de realizadores su\u00ed\u00e7os da \u00e1rea da anima\u00e7\u00e3o \u2013 cada um com o seu estilo e t\u00e9cnica e a trabalhar remotamente \u2013 deu nova vida ao discurso proferido na Eco 92 pela ativista canadiana Severn-Cullis Suzuki, de 12 anos, tida como a antecessora da jovem sueca Greta Thunberg.<\/p>\n

Under the guidance of Simone Giampaolo from London, a score of Swiss animation filmmakers \u2013 each with their own style and technique and working remotely \u2013 gave new life to the speech given at Eco 92 by Canadian activist Severn-Cullis Suzuki , 12 years old, considered the predecessor of the young Swedish girl Greta Thunberg.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Su\u00ed\u00e7a \/ Switzerland<\/span><\/strong><\/p>\n

6 min<\/strong>.<\/strong><\/p>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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MIGRANTES \/<\/span> MIGRANTS<\/span><\/p>\n

Hugo Caby, Antoine Dupriez, Aubin Kubiak, Lucas Lermytte, Zo\u00e9 Devise<\/p>\n

Dois ursos polares s\u00e3o levados ao ex\u00edlio pelo aquecimento global. Em busca de um novo lar, eles v\u00e3o encontrar uma comunidade de ursos pardos. N\u00e3o sendo assim t\u00e3o distintas, estas esp\u00e9cies podem coabitar. Ou ser\u00e1 que n\u00e3o?<\/p>\n

Two polar bears are driven into exile by global warming. In search of a new home, they find a community of grizzly bears. Not being so distinct, these species can cohabitate. Right?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Fran\u00e7a \/<\/span> France<\/strong><\/span><\/p>\n

8 min<\/strong>.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
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TERRACENO \/ <\/span>TERRA CENE<\/span><\/p>\n

Nono Ayuso, Rodrigo Inada<\/p>\n

Mem\u00f3ria de momentos marcantes da Hist\u00f3ria da Humanidade e observa\u00e7\u00e3o da natureza do tempo na Terra, este trabalho entretece passado, presente e futuro, questionando o que restar\u00e1 para ser lembrado se n\u00e3o percebermos que somos apenas convidados do planeta e n\u00e3o travarmos a contagem decrescente para a sua \u2013 e nossa \u2013 destrui\u00e7\u00e3o.<\/p>\n

Memory of outstanding moments in the History of Humanity and observation of the nature of time on Earth, this work interweaves past, present and future, questioning what will be left to be remembered if we do not realize that we are only guests of the planet and do not stop the countdown to the their \u2013 and ours \u2013 destruction.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Reino Unido \/ UK<\/span><\/strong><\/p>\n

7 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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FILOMENA<\/span><\/p>\n

Richard Zubelzu<\/p>\n

Em Janeiro deste ano, a tempestade de neve \u201cFilomena\u201d atingiu a Pen\u00ednsula Ib\u00e9rica, as Can\u00e1rias e a ilha da Madeira. Em Madrid, o normal funcionamento das estradas, dos transportes p\u00fablicos, dos centros de sa\u00fade e de outros servi\u00e7os b\u00e1sicos foi severamente afectado. Isto apesar de os meteorologistas terem alertado para a sua chegada. Sublinhando que, dados os registos t\u00e9rmicos das esta\u00e7\u00f5es meteorol\u00f3gicas convencionais e dos sensores remotos, al\u00e9m de v\u00e1rios indicadores naturais, o aquecimento global \u00e9 uma realidade ineg\u00e1vel, o autor do document\u00e1rio lan\u00e7a as perguntas: o que correu mal na gest\u00e3o do fen\u00f3meno \u201cFilomena\u201d? Estamos a agir de acordo com a emerg\u00eancia clim\u00e1tica declarada por organiza\u00e7\u00f5es e institui\u00e7\u00f5es? Em que medida nos encontramos preparados para situa\u00e7\u00f5es similares?<\/p>\n

In January of this year, the snowstorm \u201cFilomena\u201d hit the Iberian Peninsula, the Canaries and the island of Madeira. In Madrid, the normal functioning of roads, public transport, health centres and other basic services was severely affected. This is despite meteorologists having warned of its arrival.
\nStressing that, given the thermal records of conventional meteorological stations and remote sensors, in addition to various natural indicators, global warming is an undeniable reality, the author of the documentary asks the following questions: what went wrong in the management of the \u201cFilomena\u201d phenomenon? Are we acting in accordance with the climate emergency declared by organizations and institutions? Are we really prepared for similar situations.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

53 min.<\/strong><\/p>\n

ESTREIA NACIONAL
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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O PESO QUE FALTA \/<\/span> THE WEIGHT OF IT<\/span><\/p>\n

Olivia Marie Valdez, Einar Soler Fernandez, Sandra Afonso Rodriguez<\/p>\n

Uma sobrevivente ao cancro da mama analisa ao espelho os efeitos de uma mastectomia, procurando aceitar o seu novo corpo. Quando percebe que pode amar a mulher que v\u00ea no reflexo, recebe como extra o apoio do marido.<\/p>\n

A breast cancer survivor examines the effects of a mastectomy in the mirror, trying to accept her new body. She will find that she can love the woman reflected in front of her, with the extra of her husband’s support.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

3 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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GENTE BONITA \/ BEAUTIFUL PEOPLE<\/span><\/p>\n

Shane White<\/p>\n

A forma como nos vemos \u00e9, frequentemente, influenciada por quem e pelo que surge retratado como belo. Por isso, no estado norte-americano do Arkansas, pessoas e organiza\u00e7\u00f5es est\u00e3o a redefinir a no\u00e7\u00e3o de beleza e a contribuir para quebrar os estigmas da moda. Designers<\/em>, diretores criativos, modelos, especialistas em merchandising<\/em> de roupas e professores envidam esfor\u00e7os para ajudar a quebrar o estigma do ideal da magreza numa regi\u00e3o que muitos consideram escassamente diversa e inclusiva. Mas essa zona, vista como tendo um grande atraso naqueles aspectos, est\u00e1 a desafiar os seus problemas a partir de dentro.<\/p>\n

How we see ourselves is often influenced by who and what is portrayed as beautiful. So, in the US state of Arkansas, people and organizations are redefining the notion of beauty and helping to break the stigma of fashion. Designers, creative directors, models, clothing merchandising specialists and teachers are striving to help break the stigma of the thin ideal in a region that many consider to be sparsely diverse and inclusive. But this area, seen as lagging far behind in those aspects, is challenging its problems from within.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

EUA \/ USA<\/span><\/strong><\/p>\n

61 min<\/strong>.<\/strong><\/p>\n

ESTREIA EUROPEIA E LUS\u00d3FONA<\/strong>
\nEUROPEAN AND LUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
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D\u1ecdL\u00c1P\u00d2 EST\u00c1 BEM \/ DOL\u00c1P\u00d2 IS FINE<\/span><\/p>\n

Ethosheia Hylton<\/p>\n

Senhora de um cabelo e um nome invulgares, D\u1ecdl\u00e1p\u00f2 muda de imagem para se integrar num meio pouco aberto \u00e0 diferen\u00e7a. Mas talvez os seus tra\u00e7os distintivos tenham mais espa\u00e7o para existir do que inicialmente a tentam fazer crer.<\/p>\n

Owner of an unusual hair and name, D\u1ecdl\u00e1p\u1ecd\u0300 changes her image to fit in an environment not very open to difference. But perhaps her distinctive features have more room to exist than initially expected…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Reino Unido \/ UK<\/span><\/strong><\/p>\n

15 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
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SONHO\/VIDA \/<\/span> DREAM\/LIFE<\/span><\/p>\n

David Aufdembrinke<\/p>\n

Um jovem decide fugir da rotina para descobrir o que realmente quer da vida. Os seus amigos recusam-se a participar da sua empreitada, pelo que ele segue sozinho. E chega mais longe do que jamais ousaria sonhar.<\/p>\n

A young man escapes his routine to find out what he truly wants in life. His friends refuse to participate in his endeavor, so he goes alone. And arrives further than he ever would have dared to dream.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Alemanha \/ Germany<\/span><\/strong><\/p>\n

22 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
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MOIRA \/ MOIRA<\/span><\/p>\n

Daniel Lovecchio<\/p>\n

Germ\u00e1n \u2013 natural da Argentina mas h\u00e1 trinta anos a residir em Espanha \u2013 v\u00ea o passado voltar inesperadamente at\u00e9 si quando recebe um telefonema que o confronta com o que passou durante a ditadura no seu pa\u00eds natal.
\nImpossibilitado de virar costas \u00e0s mem\u00f3rias, resta-lhe lidar com um passado doloroso ao mesmo tempo que tenta gerir problemas na fam\u00edlia, composta pela sua esposa, Rosa, e a sua filha, L\u00facia.
\nEsta longa-metragem assenta na experi\u00eancia do realizador \u2013 que tamb\u00e9m protagoniza o filme \u2013 durante a ditadura argentina de finais dos anos 70 e nas consequ\u00eancias actuais da mesma.<\/p>\n

Germ\u00e1n \u2013 born in Argentina but living in Spain for thirty years \u2013 sees the past unexpectedly come back when he receives a phone call that confronts him with what happened during the dictatorship in his home country.
\nUnable to turn his back on the memories, he is left to deal with a painful past while trying to manage problems within the family, composed of his wife, Rosa, and daughter, L\u00facia.
\nThis feature film is based on the experience of the director \u2013 who also stars in the film \u2013 during the Argentine dictatorship of the late 70s and on its current consequences.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

93 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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AS PISTAS DO DESCOBRE-O!<\/b><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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A personagem principal da curta “Dol\u00e1p\u00f2 est\u00e1 bem” acaba por revelar a sua personalidade \u00fanica. Um pouco como o nosso espa\u00e7o de proje\u00e7\u00e3o desta quarta-feira, que h\u00e1 quase uma d\u00e9cada abriga nas suas paredes de baluarte espa\u00e7os de educa\u00e7\u00e3o, restaura\u00e7\u00e3o, hotelaria e arte.<\/div>\n
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The main character of the short “Dol\u00e1p\u00f2 is fine” ends up revealing her unique personality. A bit like this Wednesday’s projection area, whose bulwark walls have been holding educational, hotel, catering and art facilities for almost a decade.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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A dist\u00e2ncia que existe entre “Sonho” e “Vida” foi evidente nos muitos projetos que houve para o local da proje\u00e7\u00e3o: havia quem ali quisesse um centro cultural, outros um centro comercial a pouca dist\u00e2ncia do rio e dos ferries. O espa\u00e7o que chegou a ter o aspeto que se v\u00ea na foto, \u00e9 hoje algo \u00fanico, que merece a vossa visita. Assim o descubram.<\/div>\n
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The distance between “Dream” and “Life” was apparent in the many projects for tonight’s venue: some wanted a cultural centre, others a shopping center close to the river and the ferries. At a time, it had the look on the photo, but now it’s something unique that deserves your visite. Can you find it?<\/span><\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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“Moira” \u00e9 a hist\u00f3ria de algu\u00e9m que resiste \u00e0 ditadura militar no seu pa\u00eds. O local da proje\u00e7\u00e3o \u00e9 num espa\u00e7o que, ap\u00f3s a revolta de fevereiro de 1927 contra a ditadura militar em Portugal, foi palco de a\u00e7\u00f5es solid\u00e1rias com os inssurectos, que consistiram em tentar convencer os soldados aquartelados no regimento de infantaria a aderir \u00e0 revolta contra o regime ditatorial.<\/p>\n

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“Moira” tells the story of someone who fought against a military dictatorship in his country. The screening venue is a place that served as the stage of solidary actions with the insurgents of the February 1927 revolt against the military dictatorship in Portugal. These consisted of calls to convince soldiers that were on the infantry barracks to join the rebellion against the regime.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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13 Outubro \/ 13 October   10h00 Audit\u00f3rio Nobre do IPS APENAS UMA CRIAN\u00c7A \/ ONLY A CHILD Simone Giampaolo Sob a orienta\u00e7\u00e3o de Simone Giampaolo a partir de Londres, uma vintena de realizadores su\u00ed\u00e7os da \u00e1rea da anima\u00e7\u00e3o \u2013 cada um com o seu estilo e t\u00e9cnica e a<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"index","bgseo_robots_follow":"follow","crio-premium-page-header-override":null,"crio-premium-page-header-select":"none","crio-premium-page-header-featured-image-background":"","crio-premium-page-header-background":"","footnotes":""},"class_list":["post-392","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/comments?post=392"}],"version-history":[{"count":1,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/392\/revisions"}],"predecessor-version":[{"id":399,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/392\/revisions\/399"}],"wp:attachment":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/media?parent=392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}