{"id":380,"date":"2021-10-12T06:30:38","date_gmt":"2021-10-12T06:30:38","guid":{"rendered":"https:\/\/www.clit.online\/2021\/?page_id=380"},"modified":"2021-10-14T06:29:30","modified_gmt":"2021-10-14T06:29:30","slug":"crossings","status":"publish","type":"page","link":"https:\/\/clit.online\/2021\/crossings\/","title":{"rendered":"Travessias \/ Crossings"},"content":{"rendered":"
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12 Outubro \/ 12 October<\/h3>\n<\/div>\n<\/div>\n
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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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O EFEITO CORONA \/<\/span> THE CORONA EFFECT<\/span><\/p>\n

Youssef Agerbo Halabi<\/p>\n

Confinada \u00e0 telescola pela pandemia, Sarah v\u00ea a sua motiva\u00e7\u00e3o para as aulas definhar conforme a solid\u00e3o ganha terreno. E quando a esperan\u00e7a de retomar uma exist\u00eancia normal desaparece, outra cat\u00e1strofe ocorre.<\/p>\n

Confined to homeschooling by the pandemic, Sarah sees her motivation for classes dwindle as loneliness gains ground. And when the hope of resuming a normal existence disappears, another catastrophe occurs.<\/span><\/em><\/p>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Dinamarca \/ Denmark<\/span><\/strong><\/p>\n

8 min.<\/strong><\/p>\n

ESTREIA EUROPEIA E LUS\u00d3FONA
\nEUROPEAN AND LUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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S\u00f3 UM PENSAMENTO \/ JUST A THOUGHT<\/span><\/p>\n

Matteo Pizzocaro<\/p>\n

Anna est\u00e1 animada por o irm\u00e3o, Spyros, ter acordado de um coma de onze meses. Mas est\u00e1 igualmente preocupada com a revela\u00e7\u00e3o que tem a fazer-lhe: \u00e9 que, durante o seu longo sono, ela e Sofia, a namorada de Spyros, apaixonaram-se. Tudo se complica quando, na sala de espera do hospital, todos come\u00e7am a ouvir os pensamentos de Anna. Conseguir\u00e1 ela continuar a guardar o seu segredo?<\/p>\n

Anna is glad that her brother, Spyros, has woken up from an eleven-month coma. But she is also worried about something she has to tell him: during his long sleep, she and Sofia, Spyros’ girlfriend, fell in love. It gets even more complicated when, in the hospital waiting room, everyone starts to hear Anna’s thoughts. Will she be able to keep her secret?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Gr\u00e9cia \/ Greece<\/span><\/strong><\/p>\n

14 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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CORA\u00c7\u00d5ES AO ALTO \/ THE RIGHT WORDS<\/span><\/p>\n

Adrian Moyse Dullin<\/p>\n

Kenza e o seu irm\u00e3o mais novo, Madhi, costumam provocar-se nas redes sociais. Certo dia, Kenza desafia-o a declarar-se a Jada, a rapariga de quem ele gosta mas que nem sequer o conhece. Conseguir\u00e1 ele, nesse grande momento, empregar as palavras certas?<\/p>\n

Kenza and her younger brother Madhi often tease each other on social media. One day, Kenza challenges him to declare himself to Jada, the girl he loves but who doesn’t even know he exists. In that key moment, will he be able to use the right words?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Fran\u00e7a \/ France<\/span><\/strong><\/p>\n

15 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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Reda\u00e7\u00e3o \/<\/span> the season cuckoo sings<\/span><\/p>\n

Yang Jia<\/p>\n

Os pais de Xinxin, de 9 anos, est\u00e3o sobreocupados com as suas vidas profissionais, pelo que ele leva uma exist\u00eancia solit\u00e1ria. A dado momento, tem a oportunidade de passar uns dias com o av\u00f4, que habita nas montanhas Yimeng. A\u00ed, Xinxin descobre por que motivo este n\u00e3o quer mudar-se para a cidade. Ser\u00e1 ele capaz de fazer com que o av\u00f4 reconsidere a sua decis\u00e3o?<\/p>\n

The parents of 9-year-old Xinxin are always busy with their professional lives, so he leads a lonely existence. One day, he has the opportunity of spending a few days with his grandfather, who lives in the Yimeng Mountains. There, Xinxin finds out why his grandfather doesn’t want to move to the city. Will he be able to make his grandfather reconsider his decision?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

China<\/strong><\/span><\/p>\n

21 min<\/strong>.<\/strong><\/p>\n

ESTREIA EUROPEIA E LUS\u00d3FONA
\nEUROPEAN AND LUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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NUNCA MAIS NOS VOLTAREMOS A PERDER JUNTOS \/ WE’LL NEVER GET LOST TOGETHER AGAIN<\/span><\/p>\n

Eugene Koshin<\/p>\n

Sasha perdeu o avi\u00e3o e est\u00e1 a tentar lidar com a situa\u00e7\u00e3o quando uma rapariga lhe pergunta se pode fazer uma chamada breve do seu telem\u00f3vel. Ele aceita, ignorando a jornada de aventuras que o espera ao lado da desinibida Sashka.<\/p>\n

Sasha missed his flight and is trying to deal with the situation when a girl asks him if she can make a brief call from his cell phone. He accepts, ignoring the adventurous journey that awaits him alongside the uninhibited Sashka.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Ucr\u00e2nia \/ Ukraine<\/span><\/strong><\/p>\n

35 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n<\/div>\n

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O DESEMBARQUE \/<\/span> THE LANDING<\/span><\/p>\n

Kaisa Penttil\u00e4<\/p>\n

Quem somos “n\u00f3s”? E quem s\u00e3o “os outros”? Se o desconhecido nos surpreender no nosso trajeto, poder\u00e1 o medo do que \u00e9 diferente levar-nos a optar pela reclus\u00e3o na companhia daqueles que vemos como “os nossos”?<\/p>\n

Who are “we”? And who are “the others”? If the unknown surprises us on our journey, can fear of what is different lead us to opt for seclusion in the company of those we see as \u201cours\u201d?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Finl\u00e2ndia \/ Finland<\/span><\/strong><\/p>\n

9 min<\/strong>.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n<\/div>\n

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A semente da esperan\u00e7a \/<\/span> the seed of hope<\/span><\/p>\n

Nando Morra<\/p>\n

Nasser chegou a It\u00e1lia h\u00e1 cinco anos, ap\u00f3s uma travessia atribulada do Mediterr\u00e2neo na companhia da m\u00e3e. A maioria dos colegas de escola \u2013 incitados por Marco, que age sob a influ\u00eancia das ideias xen\u00f3fobas do pai \u2013 discrimina-o. Perante este cen\u00e1rio, Tancredi, professor substituto de Literatura, tenta levar a classe a reflectir sobre integra\u00e7\u00e3o, partilhando ensinamentos que v\u00e3o influenciar Marco muito para l\u00e1 da inf\u00e2ncia.<\/p>\n

Nasser arrived in Italy five years ago, after a rocky journey across the Mediterranean in his mother’s company. Most of his schoolmates \u2013 urged on by Marco, who acts under the influence of his father’s xenophobic ideas \u2013 discriminate against him. Faced with this scenario, Tancredi, substitute Literature teacher, tries to lead the class to reflect on integration, sharing lessons that will influence Marco well beyond childhood.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

It\u00e1lia \/<\/span> Italy<\/strong><\/span><\/p>\n

17 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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A FUGA \/<\/span> FLEE<\/span><\/p>\n

Jonas Poher Rasmussen<\/p>\n

Baseado no relato ver\u00eddico de um refugiado afeg\u00e3o que teve de deixar o seu pa\u00eds quando era ainda crian\u00e7a, este document\u00e1rio feito em anima\u00e7\u00e3o descreve a hist\u00f3ria da sua fuga rumo \u00e0 Dinamarca. Afastado da fam\u00edlia, for\u00e7ado a conviver com a viol\u00eancia e a apresentar-se sob identidades falsas, Amin (pseud\u00f3nimo) levou anos at\u00e9 conseguir revelar todo o seu percurso ao realizador, de quem \u00e9 amigo, e demorou a consentir na divulga\u00e7\u00e3o do mesmo.<\/p>\n

Recuperando imagens de arquivo e m\u00fasica pop dos anos 80, o document\u00e1rio torna a experi\u00eancia de fuga de Amin mais real e concreta, real\u00e7ando o impacto psicol\u00f3gico que todo o processo teve no protagonista, agora com 36 anos, assinal\u00e1vel forma\u00e7\u00e3o superior e a lutar para que o seu passado n\u00e3o assombre e comprometa o seu futuro.<\/p>\n

Based on the true account of an Afghan refugee who had to leave his country as a child, this animated documentary describes the story of his flight to Denmark. Away from his family, forced to live with violence and to present himself under false identities, Amin (pseudonym) took years to reveal his entire ordeal, and a long time to consent to its disclosure.
\nRecovering archival footage and pop music from the 80s, the documentary makes Amin’s escape experience more real and concrete, highlighting the psychological impact that the entire process had on the protagonist, who is now 36, has a remarkable higher education and struggles to stop the past from haunting him and compromising his future.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Dinamarca \/ Denmark<\/span><\/strong><\/p>\n

89 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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o preterido \/ the outtake<\/span><\/p>\n

Alecs Nastoiu<\/p>\n

Para tr\u00e1s de um bom desempenho art\u00edstico ficou um longo caminho preenchido por horas de ensaios, provas de vestu\u00e1rio, memoriza\u00e7\u00e3o de frases… Tudo para descobrir como certa personagem anda, fala e pensa. Infelizmente, artistas como o Sr. Virgil n\u00e3o t\u00eam a oportunidade de criar qualquer personagem ou performance.<\/p>\n

A good artistic performance is preceded by hours of rehearsals, costume fitting, memorizing lines… Everything to find out how a certain character walks, speaks and thinks. Unfortunately, artists like Mr. Virgil don’t have the opportunity to create any characters or performances.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Rom\u00e9nia \/ Romania<\/span><\/strong><\/p>\n

9 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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sem vida \/<\/span> lifeless<\/span><\/p>\n

Foad Asadi<\/p>\n

Numa floresta proibida onde as pessoas se v\u00e3o suicidar, dois homens procuram cad\u00e1veres para vender. Um dia, deparam-se com uma jovem que est\u00e1 prestes a enforcar-se, o que gera uma contenda entre ambos.<\/p>\n

In a forbidden forest where people go to commit suicide, two men look for corpses to sell. One day, they come across a young woman who is about to hang herself, causing a quarrel between them.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Ir\u00e3o \/ Iran<\/span><\/strong><\/p>\n

14 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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Oliver black<\/span><\/p>\n

Tawfik Baba<\/p>\n

Um rapaz africano inicia uma travessia do deserto em busca de um sonho: trabalhar no circo em Marrocos.
\nDurante o percurso, conhece um homem branco, mais velho, que lhe diz estar a caminho do casamento da neta mas ter perdido o camelo. Juntos, enfrentam o ambiente hostil que os rodeia, partilhando vis\u00f5es do mundo e desenvolvendo um v\u00ednculo pai\/filho.
\nA dado ponto, o homem branco fica ferido ao tentar salvar a vida do jovem, pelo que este decide carreg\u00e1-lo pelo resto do trajeto. Mas o rapaz em breve ir\u00e1 deparar-se com um palco onde jamais se imaginara: o ISIS. Torna-se, ent\u00e3o, Oliver Black.<\/p>\n

An African boy is crossing the desert in pursuit of a dream: to work in the circus in Morocco.
\nAlong the way, he meets an older white man who tells him that he is on his way to his granddaughter’s wedding but has lost his camel. Together, they face the hostile environment that surrounds them, sharing worldviews and developing a parent\/child bond.
\nAt a point, the white man gets wounded while trying to save  the boy’s life, and in return the boy decides to carry him the rest of the way. But soon the boy will face a stage he had never imagined: ISIS. He then becomes Oliver Black.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Marrocos \/ Morocco<\/span><\/strong><\/p>\n

93 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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AS PISTAS DO DESCOBRE-O!<\/b><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Se Mr. Virgil de “O preterido” ficasse esquecido no local da proje\u00e7\u00e3o, teria a vista incr\u00edvel que se v\u00ea na imagem.<\/div>\n
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If Mr. Virgil from “The outtake” was forgotten in the screening venue, he would see this incredible view.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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O espa\u00e7o onde vamos instalar os nossos equipamentos para uma sess\u00e3o de cinema em locais inusitados esteve algum tempo “Sem vida”, at\u00e9 a filantropa brit\u00e2nica Helen Hamlyn ter decidido financiar a sua recupera\u00e7\u00e3o.<\/div>\n
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The place where we will install our equipment to screen some films in unusual venues was “Lifeless” for some time, until the British philanthropist Helen Hamlyn decided to fund its recovery.<\/span><\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Em “Oliver Black”, as personagens fazem uma travessia do deserto. O local secreto desta noite tamb\u00e9m tem bastante areia por perto…<\/p>\n

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In “Oliver Black”, the characters cross the desert. Tonight’s secret venue also has quite a lot of sand nearby…<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

12 Outubro \/ 12 October   10h00 Casa da Ba\u00eda O EFEITO CORONA \/ THE CORONA EFFECT Youssef Agerbo Halabi Confinada \u00e0 telescola pela pandemia, Sarah v\u00ea a sua motiva\u00e7\u00e3o para as aulas definhar conforme a solid\u00e3o ganha terreno. E quando a esperan\u00e7a de retomar uma exist\u00eancia normal desaparece, outra<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"index","bgseo_robots_follow":"follow","crio-premium-page-header-override":null,"crio-premium-page-header-select":"none","crio-premium-page-header-featured-image-background":"","crio-premium-page-header-background":"","footnotes":""},"class_list":["post-380","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/comments?post=380"}],"version-history":[{"count":6,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/380\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/pages\/380\/revisions\/408"}],"wp:attachment":[{"href":"https:\/\/clit.online\/2021\/wp-json\/wp\/v2\/media?parent=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}