{"id":365,"date":"2021-10-11T06:54:53","date_gmt":"2021-10-11T06:54:53","guid":{"rendered":"https:\/\/www.clit.online\/2021\/?page_id=365"},"modified":"2021-10-13T15:15:18","modified_gmt":"2021-10-13T15:15:18","slug":"herstories","status":"publish","type":"page","link":"https:\/\/clit.online\/2021\/herstories\/","title":{"rendered":"Hist\u00f3rias delas \/ Herstories"},"content":{"rendered":"
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11 Outubro \/ 11 October<\/h3>\n<\/div>\n<\/div>\n
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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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ESQUELETO DE UMA TRA\u00c7A \/<\/span> SKELETON OF A MOTH<\/span><\/p>\n

Emma Kay Smith<\/p>\n

Esta narrativa colectiva d\u00e1 voz \u00e0s dificuldades emocionais e press\u00f5es sociais que afetam as adolescentes de hoje, apresentando m\u00faltiplas perspectivas sobre problemas que envolvem a imagem corporal, a sa\u00fade mental e a viol\u00eancia sexual.<\/p>\n

This collective narrative gives voice to the emotional difficulties and social pressures that affect teenagers today, presenting multiple perspectives on issues involving body image, mental health and sexual violence.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Reino Unido \/ UK<\/span><\/strong><\/p>\n

8 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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EU N\u00c3O ME AJOELHO \/<\/span> I won’t kneel<\/span><\/p>\n

Hilda Awori<\/p>\n

A realizadora deste document\u00e1rio integra os Japadhola, uma pequena comunidade localizada em Tororo, no leste do Uganda, e cresceu a ver as mulheres ajoelharem-se diante do chefe local, regra a que os homens n\u00e3o est\u00e3o sujeitos. Agora adulta, volta \u00e0 sua aldeia em busca de respostas sobre uma tradi\u00e7\u00e3o que questiona.<\/p>\n

The director of this documentary is part of the Japadhola, a small community located in Tororo, in eastern Uganda, and grew up watching women kneel before the local chief, a rule that men are not subject to. Now an adult, she returns to her village in search of answers to a tradition she questions.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Uganda<\/strong><\/span><\/p>\n

12 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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QUANDO CHEGAR A CARTA \/<\/span>
\nWHEN THE LETTER ARRIVES<\/span><\/p>\n

Javi Prada<\/p>\n

Brisa tem 22 anos, mas os clientes do clube nocturno onde trabalha gostam de pensar que ela \u00e9 ainda mais jovem. Poder\u00e1 a passagem de uma equipa da ONG M\u00e9dicos do Mundo pelo local alterar a sua realidade de luzes de n\u00e9on e m\u00fasica e dar-lhe a perspectiva de uma vida diferente?<\/p>\n

Brisa is 22 years old, but the clients of the nightclub where she works like to think that she is even younger. Could the visit of a team from the NGO M\u00e9dicos do Mundo change your reality of neon lights and music and give you the perspective of a different life?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

17 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n

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maNE<\/span><\/p>\n

Sandra Krampelhuber<\/p>\n

Duas jovens mulheres, duas hist\u00f3rias: Toussa, rapper no Dakar,  e Emodj, wrestler no sul do Senegal, batalham pela vit\u00f3ria e pelo reconhecimento em sociedades patriarcais e esferas dominadas por homens.
\nUma, luta por uma sociedade melhor com palavras e letras vision\u00e1rias; a outra, treina duramente para alcan\u00e7ar os louros na arena.
\nCom uma narrativa positiva e inovadora, \u201cMane\u201d \u2013 que significa \u201cEu\u201d em wolof \u2013 real\u00e7a esta verdade universal: s\u00f3 n\u00f3s, com a nossa ambi\u00e7\u00e3o e vontade, podemos fazer a mudan\u00e7a que queremos ver no mundo.<\/p>\n

Two young women, two stories: Toussa, a rapper in the Dakar, and Emodj, a wrestler in southern Senegal, battle for victory and recognition in patriarchal societies and male-dominated spheres.
\nOne, fights for a better society with visionary words and letters; the other trains hard to achieve laurels in the arena.
\nWith a positive and innovative narrative, \u201cMane\u201d \u2013 which means \u201cI\u201d in Wolof \u2013 highlights this universal truth: only we, with our ambition and will, can make the change we want to see in the world.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

\u00c1ustria \/ Austria<\/span><\/strong><\/p>\n

55 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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UM RAIO VERDE \/<\/span> A GREEN RAY<\/span><\/p>\n

Paula Viso<\/p>\n

A cidade sabe que duas pessoas v\u00e3o apaixonar-se hoje. Como tal, ao notar que o enredo n\u00e3o est\u00e1 a seguir o rumo previsto, decide dar o seu contributo para que o plano inicial se concretize.<\/p>\n

The city knows that two people are going to fall in love today. As such, when noticing that the plot is not following the planned course, she decides to contribute to the initial plan to materialize.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

8 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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A MINHA AV\u00f3 \u00c9 VEGETARIANA \/
\nMY GRANDMA IS A VEGETARIAN<\/span><\/p>\n

Jasmine Ko<\/p>\n

Uma jovem visita um restaurante em busca de uma refei\u00e7\u00e3o para partilhar com a av\u00f3. Certa de que sabe exactamente o que a av\u00f3 gosta e deseja ver no prato, ela em breve ter\u00e1 uma surpresa.<\/p>\n

A young woman visits a restaurant looking for a meal to share with her grandmother. Certain that she knows exactly what her grandmother likes, she will soon be in for a surprise.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Coreia do Sul \/ South Korea<\/span><\/strong><\/p>\n

5 min.<\/strong><\/p>\n

ESTREIA EUROPEIA E LUS\u00d3FONA<\/strong>
\nEUROPEAN AND LUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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MORANGO \/ Strawberry<\/span><\/p>\n

Manal Saad<\/p>\n

Uma paciente \u00e0 beira de uma cirurgia inicia inesperadamente uma conversa com o m\u00e9dico que a vai operar. E aquilo que partilham nesse instante mudar\u00e1 em definitivo a condi\u00e7\u00e3o de ambos.<\/p>\n

A patient on the verge of surgery unexpectedly starts a conversation with the doctor. And what they share in that moment will definitely change their condition.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Egipto \/ Egypt<\/span><\/strong><\/p>\n

5 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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VEM AO MEU ENCONTRO \/ JOIN ME<\/span><\/p>\n

Ana\u00efs Nativel<\/p>\n

Durante uma guerra napole\u00f3nica, um jovem recruta conclui que um camarada planeia desertar para ir ao encontro da mulher que ama. Como ir\u00e1 essa sua convic\u00e7\u00e3o influenciar o rumo dos acontecimentos?<\/p>\n

During a Napoleonic war, a young recruit believes that a comrade is planning to defect to meet the woman he loves. How will this influence the course of events?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Fran\u00e7a \/ France<\/span><\/strong><\/p>\n

8 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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POTTU<\/span><\/p>\n

Navayuga Kugarajah<\/p>\n

Thilaga, uma professora de barathanatyam, vive sozinha com a filha, Durga, ap\u00f3s a morte do marido. Ao mesmo tempo que lida com a sua perda recente, ela tenta aceitar as imposi\u00e7\u00f5es da sociedade a uma mulher que enviuvou. Durga, que assiste \u00e0s lutas da m\u00e3e e se apercebe de como esta mudou face ao tempo em que o seu pai era vivo, decide, ent\u00e3o, tentar compreender a l\u00f3gica das normas culturais a que Thilaga se v\u00ea sujeita.<\/p>\n

Thilaga, a barathanatyam teacher, lives alone with her daughter Durga after her husband’s death. While dealing with her recent loss, she tries to accept what society expects of a widowed woman. Durga, who watches her mother’s struggles and realizes how she has changed, tries to understand the logic of the cultural norms that constrain Thilaga.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Sri Lanka<\/strong><\/span><\/p>\n

12 min<\/strong>.<\/strong><\/p>\n

ESTREIA MUNDIAL<\/strong>
\nWORLD PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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BEM, OBRIGADA, E TU? \/
\nGOOD THANKS, YOU?<\/span><\/p>\n

Molly Manning Walker<\/p>\n

Ap\u00f3s um ataque, Amy tenta ser ouvida para que seja feita justi\u00e7a. Perante o esfor\u00e7o v\u00e3o, resta-lhe lidar com o sucedido de uma forma que lhe permita salvaguardar o que \u00e9 mais importante para si.<\/p>\n

After an attack, Amy tries to be heard so justice can be made. When everything seems to be in vain, she will just have to deal with what happened and safeguard what she treasures the most.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Reino Unido \/ UK<\/span><\/strong><\/p>\n

13 min<\/strong>.<\/strong><\/p>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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EU N\u00c3O PE\u00c7O DESCULPAS \/
\nI DON’T SAY I’M SORRY<\/span><\/p>\n

Gabriela Dyminski de Castro<\/p>\n

Baseada em hist\u00f3rias reais e contendo testemunhos de v\u00edtimas de relacionamentos abusivos, esta curta-metragem alerta para as rela\u00e7\u00f5es que, nascendo como \u00e1guas claras, provam ser, afinal, perigosas armadilhas.<\/p>\n

Based on true stories and containing testimonies of victims of abusive relationships, this short film alerts to relationships that prove to be dangerous traps, even though they seemed clear at the start.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Brasil \/ Brazil<\/span><\/strong><\/p>\n

15 min<\/strong>.<\/strong><\/p>\n

ESTREIA EUROPEIA<\/strong>
\nEUROPEAN PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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FlOR SEM TEMPO \/
\nNOT YOUR FLOWER TO PICK<\/span><\/p>\n

Annabel Venneker<\/p>\n

\u00c0 semelhan\u00e7a das flores, as mulheres s\u00e3o frequentemente vistas como objeto de desejo e pretendidas apenas quando e enquanto s\u00e3o bonitas. Mas a beleza \u00e9, afinal, a parte mais ef\u00e9mera de um todo muit\u00edssimo valioso.<\/p>\n

Like flowers, women are often seen as objects of desire and wanted only when and while they are beautiful. But beauty is, after all, the most ephemeral part of a most valuable whole.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Pa\u00edses Baixos \/ The Netherlands<\/span><\/strong><\/p>\n

4 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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PAR\u00caNTESES \/ PARENTHESIS<\/span><\/p>\n

Denis Larzilli\u00e8re<\/p>\n

Mia recebe not\u00edcias tr\u00e1gicas enquanto espera pelo seu uber. Em estado de choque, ela entra no carro de Tom por engano. Os dois estranhos embarcam ent\u00e3o na noite. E talvez a realidade entre em pausa para ambos…<\/p>\n

Mia receives tragic news while waiting for her uber. In shock, she gets into Tom’s car by mistake. The two strangers then embark into the night. And maybe reality takes a break for both of them…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Fran\u00e7a \/ France<\/span><\/strong><\/p>\n

12 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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MENINA VENENO<\/span><\/p>\n

Gleison Mota<\/p>\n

Vivi \u00e9 uma prostituta que se apaixona por um dos seus clientes, a estrela do rock Phillip Neves. Explosiva por natureza, Vivi nem sempre est\u00e1 pelos ajustes com o amor, a vida profissional e familiar. Conseguir\u00e1 ela aprender a lidar com estes tr\u00eas pilares sem os fazer ruir?<\/p>\n

Vivi is a prostitute who falls in love with one of her clients, the rock star Phillip Neves. Explosive by nature, Vivi sometimes can’t stand certain things when it comes to love, work and family life. Will she be able to learn to deal with these three pillars without making them collapse?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Brasil \/ Brazil<\/span><\/strong><\/p>\n

19 min.<\/strong><\/p>\n

ESTREIA EUROPEIA<\/strong>
\nEUROPEAN PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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NOVEMBRO \/ NOvember<\/span><\/p>\n

Railane Borges, Mat\u00edas Palma <\/p>\n

J\u00falio \u00e9 um analista de sistemas de meia-idade que leva uma vida aparentemente normativa e sem surpresas.
\nA lidar com crises de ansiedade e pesadelos constantes, ele v\u00ea a sua exist\u00eancia come\u00e7ar a transformar-se a partir de um epis\u00f3dio inesperado que o apresenta a Carla, por quem se apaixona.
\nContudo, esse encontro conduz ao intensificar das suas crises e inseguran\u00e7as, e J\u00falio ter\u00e1 de escolher entre permanecer ref\u00e9m dos traumas do passado ou enfrent\u00e1-los e permitir-se experimentar um sentimento real e \u00fanico.<\/p>\n

Julio is a middle-aged systems analyst who leads an apparently normative and unsurprising life.
\nDealing with bouts of anxiety and constant nightmares, he sees his existence begin to transform from an unexpected episode that introduces him to Carla, with whom he falls in love.
\nHowever, this encounter leads to the intensifying of their crises and insecurities, and Julio will have to choose between remaining hostage to the traumas of the past or face them and allow himself to experience a real and unique feeling.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Brasil \/ Brazil<\/span><\/strong><\/p>\n

110 min.<\/strong><\/p>\n

ESTREIA EUROPEIA<\/strong>
\nEUROPEAN PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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AS PISTAS DO DESCOBRE-O!<\/b><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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A primeira curta da noite, “Par\u00eanteses”, \u00e9 francesa, a nacionalidade original do arquiteto que concebeu, no final do s\u00e9culo XV, o espa\u00e7o que acolhe a sess\u00e3o do Descobre-o!. \u00c9 um edif\u00edcio monumental, que constitui um dos mais relevantes exemplares da arquitetura manuelina a sul do Tejo.<\/div>\n
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The first short of the evening, “Parenthesis”, is French, the original nationality of the architect that, in the last years of the 15th century, designed the venue that will host our Descobre-o! screening. It’s a monumental building, and one of the most relevant examples of the Manueline style south of the Tagus river.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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“Novembro” foi o m\u00eas em que o rei conhecido como “o Pr\u00edncipe Perfeito” subiu pela primeira vez ao trono de Portugal, em 1477. Este monarca apreciava particularmente Set\u00fabal, tendo aqui desposado Leonor de Lencastre. N\u00e3o \u00e9 por isso de espantar que aqui tenha mandado erguer o espa\u00e7o que vos acolher\u00e1 se acertarem na pista.<\/div>\n
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It was in “November” that the King known as “the Perfect Prince” first rose to the throne of Portugal, in 1477. This monarch was particularly fond of Set\u00fabal, where he wedded Leonor of Lancaster. It then comes as no surprise that the one who ordered the construction of the venue where you will see the evening films, may you find it.<\/span><\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Dada a profiss\u00e3o da sua personagem em “Menina veneno”, quase arriscamos dizer que a ida da atriz Marina Azze, uma das convidadas do festival, ao local da proje\u00e7\u00e3o, n\u00e3o anda muito longe do t\u00edtulo deste filme com Whoopi Goldberg em portugu\u00eas.<\/p>\n

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Given the occupation of her character in “Poison girl”, we risk saying that the presence of Marina Azze, one of the festival’s guests, on the screening venue is not far from the title of this Whoopi Goldberg movie in Portuguese.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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11 Outubro \/ 11 October   10h00 Audit\u00f3rio Nobre do IPS ESQUELETO DE UMA TRA\u00c7A \/ SKELETON OF A MOTH Emma Kay Smith Esta narrativa colectiva d\u00e1 voz \u00e0s dificuldades emocionais e press\u00f5es sociais que afetam as adolescentes de hoje, apresentando m\u00faltiplas perspectivas sobre problemas que envolvem a imagem corporal,<\/p>\n

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