{"id":211,"date":"2021-10-08T12:48:18","date_gmt":"2021-10-08T12:48:18","guid":{"rendered":"https:\/\/www.clit.online\/2021\/?page_id=211"},"modified":"2021-10-08T23:54:17","modified_gmt":"2021-10-08T23:54:17","slug":"a-sea-of-films","status":"publish","type":"page","link":"https:\/\/clit.online\/2021\/a-sea-of-films\/","title":{"rendered":"Um mar de filmes \/ A sea of films"},"content":{"rendered":"
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9 Outubro \/ 9 October<\/h3>\n<\/div>\n<\/div>\n
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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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PRINCESA \/ PRINCESS<\/span><\/p>\n

Hoss Wheeler <\/p>\n

Um pai decide ir ao encontro da sua pequena filha vestido de princesa. Mas, para chegar ao parque onde ela est\u00e1, tem de atravessar uma cidade movimentada na qual todos os olhares se colam \u00e0 sua indument\u00e1ria…<\/p>\n

A father decides to meet his little girl dressed as a princess. But to get to the park where she is, he has to cross a busy city where all eyes are glued to his clothes….<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

EUA \/ USA<\/span><\/strong><\/p>\n

4 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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O salgueiro \/ the willow<\/span><\/p>\n

Katarina Sreji\u0107<\/p>\n

Ao voltar \u00e0 sua terra natal, a personagem principal revisita mem\u00f3rias da inf\u00e2ncia enquanto, na companhia do seu eu mais jovem, percorre a sua antiga casa: um bonito e animado salgueiro.<\/p>\n

Returning to her homeland, the main character revisits childhood memories. In the company of her younger self, she walks through her old home: a beautiful and lively willow tree.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

S\u00e9rvia \/ Serbia<\/span><\/strong><\/p>\n

7 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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DENTE-DE-C\u00c3o \/ Dandedog<\/span><\/p>\n

Elmano Diogo<\/p>\n

Ap\u00f3s a morte do seu melhor amigo, um rapaz parte numa viagem introspectiva em busca de respostas que o ajudem a dissolver a tristeza e a preencher o vazio que aquela perda abriu no seu peito.<\/p>\n

After the death of his best friend, a boy sets out on an introspective journey in search of answers that will help him dissolve the sadness and fill the void that loss opened in his chest.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Portugal \/ Portugal<\/span><\/strong><\/p>\n

5 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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PARA SEMPRE CRIAN\u00c7A \/ FOREVER A KID<\/span><\/p>\n

Frederieke Mooij<\/p>\n

Reunir gafanhotos, ver voar uma borboleta enquanto se imagina as suas vidas anteriores, ouvir os sons estivais a  partir do aconchego da cama… As mem\u00f3rias da inf\u00e2ncia alguma vez nos abandonam?<\/p>\n

Collecting grasshoppers, watching a butterfly fly while imagining her previous lives, listening to summer sounds from the comfort of the bed… Do childhood memories ever leave us?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

B\u00e9lgica \/ Belgium<\/span><\/strong><\/p>\n

5 min.<\/strong><\/p>\n

ESTREIA MUNDIAL<\/strong>
\nWORLD PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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OS INVICTOS \/ the UNDEFEATED<\/span><\/p>\n

Doroth\u00e9e Adam<\/p>\n

Neste conjunto de hist\u00f3rias baseadas nos relatos de crian\u00e7as v\u00edtimas de agress\u00e3o f\u00edsica, abuso emocional ou abandono, cada protagonista recorda o seu passado evocando um acontecimento significativo ou uma fatia relevante da sua vida. Os v\u00e1rios casos t\u00eam em comum a interven\u00e7\u00e3o da ONG Tara, de Nova Deli.<\/p>\n

In this set of stories based on the reports of children who are victims of physical aggression, emotional abuse or abandonment, each protagonist remembers the past, evoking a significant event or a relevant part of their life. The various cases have in common the intervention of the NGO Tara, from New Delhi.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

\u00cdndia \/ India<\/span><\/strong><\/p>\n

12 min<\/strong>.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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A CADEIRA VELHA DA M\u00c3E \/ MAM’S OLD CHAIR<\/span><\/p>\n

Sheena Walsh<\/p>\n

Uma velha cadeira impregnada de mem\u00f3rias de que a protagonista recusa desfazer-se \u00e9 o ponto de partida para uma reflex\u00e3o sobre consumo local, sentido de comunidade, repara\u00e7\u00e3o e reutiliza\u00e7\u00e3o.<\/p>\n

An old chair filled with memories that the protagonist refuses to let go of is the starting point for a reflection on local consumption, sense of community, repair and reuse.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Irlanda \/ Ireland<\/span><\/strong><\/p>\n

2 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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Erro de sistema \/ System error<\/span><\/p>\n

Piotr Ka\u017amierczak<\/p>\n

Imagine-se uma sociedade padronizada num mundo padronizado, com tudo a funcionar de forma ordeira e previs\u00edvel. Se alguma unidade se mostra desajustada, ela rapidamente perde o seu lugar. At\u00e9 um dia…<\/p>\n

Imagine a standardized society in a standardized world, with everything working in an orderly and predictable way. If any unit proves out of step, it quickly loses its place. Until one day…<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Pol\u00f3nia \/ Poland<\/span><\/strong><\/p>\n

4 min.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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bami<\/span><\/p>\n

Eline Vanderbemden<\/p>\n

Uma simp\u00e1tica avozinha quer ter tudo perfeito para um jantar de fam\u00edlia. Mas isso representa tanto trabalho que ela precisa de mais bra\u00e7os do que um polvo. Tudo piora ao notar que as coisas n\u00e3o lhe correm de fei\u00e7\u00e3o…<\/p>\n

A nice granny wants to have everything perfect for a family dinner. But that means so much work that she needs more arms than an octopus. Everything gets worse when she notices that things don’t go her way….<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

B\u00e9lgica \/ Belgium<\/span><\/strong><\/p>\n

4 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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uma hist\u00f3ria de comida estranha \/ a story of strange food<\/span><\/p>\n

Lankangshi<\/p>\n

Os utens\u00edlios de cozinha de um restaurante acabam esmagados e abandonados ap\u00f3s trabalharem duramente para o patr\u00e3o capitalista. Vir\u00e1 algu\u00e9m p\u00f4r cobro \u00e0 sua condi\u00e7\u00e3o de explorados?<\/p>\n

A restaurant’s kitchen utensils end up crushed and abandoned after working hard for the capitalist boss. Will someone come to put an end to this exploitation?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

China \/ China<\/span><\/strong><\/p>\n

7 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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aurora, a rua que queria ser rio \/ aurora, the street that wanted to be a river<\/span><\/p>\n

Radhi Meron<\/p>\n

Se as ruas pudessem falar, o que diriam? Aurora \u00e9 uma triste e solit\u00e1ria rua de uma grande cidade que, num dia de chuva, recorda a sua trajet\u00f3ria e sonha com o futuro, perguntando-se: \u201c\u00c9 poss\u00edvel uma rua morrer?\u201d.<\/p>\n

If streets could talk, what would they say? Aurora is a sad and lonely street in a big city that, on a rainy day, recalls its trajectory and dreams of the future, wondering: “Is it possible for a street to die?”.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Brasil \/ Brazil<\/span><\/strong><\/p>\n

10 min<\/strong>.<\/strong><\/p>\n

ESTREIA NACIONAL<\/strong>
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10h00<\/p>\n

Casa da Ba\u00eda<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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eureka!<\/span><\/p>\n

David Creighton <\/p>\n

Nesta micro-curta animada, um fan\u00e1tico por conspira\u00e7\u00f5es alcan\u00e7a a verdade… por breves instantes.<\/p>\n

In this animated micro-short, a conspiracy fanatic reaches the truth… for a fleeting moment.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ESTIMULA-TE!<\/b><\/p>\n

Canad\u00e1 \/ Canada<\/span><\/strong><\/p>\n

15 seg. \/ 15 sec.<\/span><\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n<\/div>\n

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\"\"<\/p>\n<\/div>\n<\/div>\n

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sea shepherd<\/span><\/p>\n

D\u00e9bora Mendes <\/p>\n

Uma rapariga serve peixe num restaurante at\u00e9 este se esgotar, enquanto se ouvem excertos de uma TedTalk de Paul Watson, fundador da organiza\u00e7\u00e3o Sea Shepherd, que usa a a\u00e7\u00e3o directa para defender a vida nos oceanos.<\/p>\n

A girl serves fish in a restaurant until it runs out, while listening to excerpts from a TedTalk by Paul Watson, founder of the Sea Shepherd organization, which uses direct action to defend life in the oceans.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Portugal \/ Portugal<\/span><\/strong><\/p>\n

5 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n<\/div>\n

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A jornada do gigante \/ the journey of gigante<\/span><\/p>\n

Gui Rampazo <\/p>\n

O igarap\u00e9 do Gigante \u00e9 um curso de \u00e1gua que cruza a cidade de Manaus. Ao ligar diferentes realidades sociais do munic\u00edpio, n\u00e3o conseguir\u00e1 ele unir tamb\u00e9m moradores, empresas e \u00f3rg\u00e3os p\u00fablicos em prol da sua despolui\u00e7\u00e3o.<\/p>\n

The Gigante creek is a water course that crosses the city of Manaus. By linking different social realities of the municipality, won’t it also be able to unite residents, companies and public bodies in favour of its depollution?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Brasil \/ Brazil<\/span><\/strong><\/p>\n

11 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15h00
\nAudit\u00f3rio Nobre do IPS<\/span><\/p>\n<\/div>\n<\/div>\n

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the plastic hike<\/span><\/p>\n

Carolina Semrau, Augusto Lima <\/p>\n

No Ver\u00e3o de 2020, The Trash Traveller (cognome do bi\u00f3logo e m\u00fasico alem\u00e3o Andreas Noe) iniciou uma recolha de pl\u00e1stico na costa continental portuguesa, e os realizadores deste document\u00e1rio decidiram cobrir a ac\u00e7\u00e3o.
\nAp\u00f3s 58 dias de caminhada e 90 entrevistas, nasceu \u201cThe Plastic Hike\u201d, onde pessoas comuns descrevem a sua experi\u00eancia de mudar de vida e mostram como a mobiliza\u00e7\u00e3o individual pode fazer a diferen\u00e7a.
\nSensibilizar para a problem\u00e1tica da polui\u00e7\u00e3o causada pelo pl\u00e1stico e dar voz \u00e0 comunidade de ONGs, aos projetos e aos ambientalistas que trabalham em Portugal s\u00e3o os principais objectivos da longa-metragem, que visa ainda suscitar a reflex\u00e3o sobre problemas e solu\u00e7\u00f5es que as comunidades podem partilhar nacional e internacionalmente.<\/p>\n

In the summer of 2020, The Trash Traveller (nickname of the German biologist and musician Andreas Noe) started a collection of plastic on the Portuguese mainland coast, and the makers of this documentary decided to cover the action.
\nAfter 58 days of walking and 90 interviews, \u201cThe Plastic Hike\u201d was born, where ordinary people describe their experience of changing their lives and show how individual mobilization can make a difference.
\nRaising awareness of the issue of pollution caused by plastic and giving a voice to the NGO community, projects and environmentalists working in Portugal are the main goals of the feature film, which also aims to raise reflection on problems and solutions that communities can share nationally and internationally.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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ATIVA-TE!<\/b><\/p>\n

Portugal \/ Portugal<\/span><\/strong><\/p>\n

96 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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PlanO C \/ PLAN C<\/span><\/p>\n

Alberto Eche <\/p>\n

Dois homens planeiam um assalto: um deles, o mentor do golpe, arquitectou tudo detalhadamente, enquanto o outro, seu parceiro, \u00e9 um temeroso novato que nada entende. Mas, j\u00e1 agora, o que querem eles roubar?<\/p>\n

Two men plan a robbery: one of them, the mastermind of the coup, has planned everything in detail, while the other, his partner, is a fearful newcomer who understands nothing. But… what do they want to steal?<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Espanha \/ Spain<\/span><\/strong><\/p>\n

3 min.<\/strong><\/p>\n

ESTREIA MUNDIAL<\/strong>
\nWORLD PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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A Sala da correspond\u00eancia \/ the letter room<\/span><\/p>\n

Elvira Lind<\/p>\n

Richard, um agente de bom cora\u00e7\u00e3o, \u00e9 transferido para a sala da correspond\u00eancia da pris\u00e3o. A\u00ed, descobre as bel\u00edssimas cartas que um homem no corredor da morte recebe da esposa.
\nEnfastiado com a sua rotina solit\u00e1ria e encantado com o acesso que agora tem \u00e0 vida privada dos presos, Richard atenta contra as regras, lendo mais do que lhe \u00e9 permitido e envolvendo-se nas exist\u00eancias alheias para al\u00e9m do devido.<\/p>\n

Richard, a kind-hearted agent, is transferred to the prison’s mail room. There, he discovers the beautiful letters that a man on death row receives from his wife.
\nBored with his solitary routine and delighted with the access he now has to the inmates’ private lives, Richard goes against the rules, reading more than he is allowed and getting involved in other people’s existences.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

EUA \/ USA<\/span><\/strong><\/p>\n

32 min.<\/strong><\/p>\n

ESTREIA NACIONAL
\nPORTUGUESE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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21h30
\nDescobre-o!
\nFind it!<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

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PARA o MAR \/ TO THE SEA<\/span><\/p>\n

Marco A. Nu\u00f1ez <\/p>\n

Ap\u00f3s a pandemia, um jovem casal decide mudar-se para junto do mar e lan\u00e7ar-se num novo come\u00e7o. Enquanto Lorena tenta concluir um projeto art\u00edstico, Diego consegue emprego na biblioteca local.
\nMas \u00e9 a\u00ed que surge Vicente, um rapaz enigm\u00e1tico que os far\u00e1 repensar a ideia de amor e de rela\u00e7\u00e3o de casal.
\nForma-se, ent\u00e3o, um tri\u00e2ngulo que conhecer\u00e1 o seu destino entre a floresta e o mar.<\/p>\n

After the pandemic, a young couple decides to move to the sea and launch a new beginning. While Lorena tries to complete an artistic project, Diego gets a job at the local library.
\nBut that’s where Vicente appears, an enigmatic boy who will make them rethink the idea of love and a couple relationship.
\nThen, a triangle is formed that will know its destiny between the forest and the sea.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n

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DESCOBRE-O!<\/b><\/p>\n

Chile \/ Chile<\/span><\/strong><\/p>\n

78 min.<\/strong><\/p>\n

ESTREIA LUS\u00d3FONA<\/strong>
\nLUSOPHONE PREMIERE<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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AS PISTAS DO DESCOBRE-O!<\/b><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Se tivessem esta viatura, os assaltantes do “Plano C” poderiam fugir muito mais depressa do que com uma furgoneta. No local da proje\u00e7\u00e3o, encontras v\u00e1rias da marca que aparece na imagem.<\/div>\n
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If they had this car, the robbers from “Plan C” could escape much faster than with a van. In the screening venue, you’ll find a lot of them from the automaker that appears on the image.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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O tipo de estabelecimento onde decorre “A sala da correspond\u00eancia” tamb\u00e9m existe em Set\u00fabal. E o local da proje\u00e7\u00e3o n\u00e3o dista muito dele. Fica, ali\u00e1s, na mesma rua…<\/div>\n
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The kind of facility where “The letter room” takes place also exists in Set\u00fabal. And the screening venue is not far from it. In fact, it’s on the same street…<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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“Para o mar” conta-nos a hist\u00f3ria de um tri\u00e2ngulo amoroso num local onde h\u00e1 floresta e mar. Um pouco como Set\u00fabal, onde h\u00e1 uns anos se via esta imagem sobre o rio que nos une a Tr\u00f3ia. Estava do outro lado da rua, em rela\u00e7\u00e3o \u00e0s traseiras do local da proje\u00e7\u00e3o.<\/p>\n

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“To the sea” tells us a story of a love triangle in a location between the forest and the sea. A little bit like Set\u00fabal, where a few years ago there was this writing on the wall about how the river unites us with Tr\u00f3ia. It was across the street, from the back of the screening venue.<\/span><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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9 Outubro \/ 9 October   10h00 Casa da Ba\u00eda PRINCESA \/ PRINCESS Hoss Wheeler  Um pai decide ir ao encontro da sua pequena filha vestido de princesa. Mas, para chegar ao parque onde ela est\u00e1, tem de atravessar uma cidade movimentada na qual todos os olhares se colam \u00e0<\/p>\n

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